Mixing & Mastering Engineers, Producers & Songwriters who worked with Showmeloot

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Urban Music Producer - Renato Parmi
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Pop, R&B, Afrobeat, Reggae

mixing and Mastering - RJR Studios

I own and operate a full-production facility, can complete your project from start to finish. I have been playing, writing and recording music for most of my life. I would love to work with you to get your songs sounding the best they possibly can!

Saxophones, Clarinet & Flute - Ian Smith
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Credits include Barry Manilow, Royal Philharmonic Concert Orchestra, Gladys Knight, Sister Sledge, Ministry of Sound & Funk LeBlanc. Highly experienced studio & live saxophone/woodwind player across many genres including Pop/Soul, Jazz/Big Band & Film/TV. No project is too big or small.

Songwriter - Glory Wit

Songwriter with a magic pen.

Sing, Write, Arrange, Produce - Lauren Byrd
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With a background in theory and composition, I am Background Vocal Fanatic and Chameleon. Give me a blank canvas and I can color whatever vocals needed, however they are needed. I embrace clear concise direction. No job is too small. No challenge is too big. Honestly, I do not like to waste any time. Let's work!

Ingeniero Mix y Master - Eduardo Pando
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Mixing and Mastering engineer, music producer. Sr Dinamita, Cristian Toro, Poulette, Vieja Rúa, Sebastian Cordova, etc.

Analog Mastering you can trust - Reese Mastering
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Although we have been mastering for clients for many years, we are new to Soundbetter. I look forward to elevating your music to its final stage. We have an amazing selection of analog and digital equipment that will bring consistency to your music. We are an original mastering company with an outgoing personality !

Productor de hip hop y trap - Saki
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Productor especializado en trap, boom bap, reguetón, synthwave y hip hop alternativo, también produzco indie pop, rock alternativo y pop punk; toco la guitarra y el bajo. Compongo música de todo estilo y me encanta experimentar con la fusión de géneros musicales para darle a la escena algo fresco y expontaneo.

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