Electronic Producer/Remixer

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Honestly, I just my laptop and a good pair of headphones. Not sure how long I'd be able to last but yeah, that's pretty much it.

Q: What was your career path? How long have you been doing this?

A: I started working in FL Studio when I was 11 years old. 11 years of non-stop honing my craft & here we are, making waves in the music industry, one remix at a time.

Q: How would you describe your style?

A: Think of it like this; what type of music would Mozart make if he had a computer?

Q: Which artist would you like to work with and why?

A: Skrillex for sure. The dude is a master of creating expensive sounds.

Q: What type of music do you usually work on?

A: I usually work on electronic music which includes future bass, future house & EDM Trap.

Q: What do you bring to a song?

A: My main goal as a music composer is to make classical music cool. Gather various influences over the years has enabled me to create a unique style that will definitely get heads bobbing.

Q: Tell us about your studio setup.

A: I've got a relatively simple setup. KRK Rokit 8 Monitors, Audio Technica M-50x Headphones & a Presonus Audiobox 2x2 Audio interface.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Definitely has to be a remix I did for Caden Jester's new release called "Foyobadi". It was my first go at executing my newly discovered sound on an actual project.

Q: What are you working on at the moment?

A: I'm working on two future house remixes simultaneously. Both for SoundBetter clients. Grateful for this opportunity. Time to work my butt off.

Q: Analog or digital and why?

A: Digital. Because it's the only thing I have access to.

Q: What's your 'promise' to your clients?

A: It's not just about the final product, it's about the experience. That's why I take pride in constantly providing updates and gathering feedback that moves the project swiftly forward.

Q: What do you like most about your job?

A: Getting to do what I love for a living, from the comfort of my bedroom, with no worries about what I'm gonna wear.

Q: What questions do customers most commonly ask you? What's your answer?

A: How long does it take you to create something that you're confident in sharing? The answer? Probably never haha. That's why I love deadlines.

Q: What's the biggest misconception about what you do?

A: Many people believe that making remixes is relatively simple because you are feeding off of pre-existing ideas.

Q: What questions do you ask prospective clients?

A: What type of music are you not into? Because I believe working on a remix of that nature will expand your fanbase. Seeking discomfort has its perks.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Trust your instincts & trust in the provider by giving him as much creative freedom as possible. Communication is also key.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Caden Jester. He is a music production and mixing mastermind. I had the privilege of remixing one of his tracks. My go-to engineer 100% of the time. If you wanna take your sound from "good" to "state-of-the-art", he's your guy.

Q: Can you share one music production tip?

A: Streamline your workflow to the point where you are 100% confident in your ability to consistently create quality music that aligns with your brand.

Q: What's your strongest skill?

A: I've got to say remixing (Sound Manipulation): EDM/Electronic, providing a unique blend with Hip Hop/Trap & Dancehall/Afrobeats.

Q: Describe the most common type of work you do for your clients.

A: I'm a remix specialist working primarily with 1 main genre: EDM/Electronic. Nonetheless, my diversity allows me to infuse unique blends with Hip Hop/Trap & Dancehall/Afrobeats.

Q: What other musicians or music production professionals inspire you?

A: Skrillex's unique and diverse musical style played a huge role in helping me develop my sonic signature (Making music I enjoy) while still giving the market music they want to hear.

Q: What's your typical work process?

A: It usually begins with sound design using the stems that were provided by the client. This helps me come up with melodic progressions which I later meticulously manipulate to come up with an ideal arrangement for the whole track