Cameron Kennedy

Recording | Mixing | Mastering

Cameron Kennedy on SoundBetter

Let's make a record! Specializing in Folk/Singer-Songwriter, Punk, Rock, Pop and Reggae. ..Authentically Organic..

A graduate of Seneca College's Independent Music Production program, I have been recording, mixing and mastering for about 6 years now. I started out performing solo in bars and clubs over 10 years ago and still continue to perform professionally all over Ontario.

Songwriting and live performance was really what got me into recording & producing music and so I consider myself a singer-songwriter/performer before anything and always want to work towards whats best for the song, regardless of how wild the recording process might need to get to hone in on the artists vision and goal.

Quality is always first. You need to be over-the-moon about your final product and I can only consider my job done when we get there. I would love to work with you on everything from pre production/arrangement, songwriting, demos, all the way to tracking, mixing & mastering; or any part of the process in between. I can also sit in as a session musician for vocals, guitar, bass, etc.

Let's make a record!

Would love to hear from you. Click the contact button above to get in touch.

Interview with Cameron Kennedy

  1. Q: Analog or digital and why?

  2. A: Both! Although I generally do all of my mixing "in the box," sometimes its the combination of analog and digital processing that helps us achieve what we want to hear.

  3. Q: How would you describe your style?

  4. A: Gritty and to the point.

  5. Q: Can you share one music production tip?

  6. A: Never be afraid to break the "rules" when it comes to finding a sound.

  7. Q: What type of music do you usually work on?

  8. A: When I started it was a lot of Folk/Singer-Songwriter & Pop, but have lately been doing a lot of Punk, Indie Rock and a bit of Hip Hop. I love all of it.

  9. Q: What other musicians or music production professionals inspire you?

  10. A: In no particular order: CLA, Ethan Johns, Phil Spector, John Feldmann, Bill Stevenson, Jay Maas, Jeff Rosenstock, Glen Adams, Dave Pensado, etc...

  11. Q: Describe the most common type of work you do for your clients.

  12. A: It varies from project to project but I'm usually the Recording Engineer & Mix Engineer for most of the projects I have been involved in. Starting with pre-pro/arrangement, to tracking and editing, then taking it all the way to the final mix. I have also been Producer, Session Musician, and Mastering Engineer on a few different records.

  13. Q: Analog or digital and why?

  14. A: Both! Although I generally do all of my mixing "in the box," sometimes its the combination of analog and digital processing that helps us achieve what we want to hear.

  15. Q: How would you describe your style?

  16. A: Gritty and to the point.

  17. Q: Can you share one music production tip?

  18. A: Never be afraid to break the "rules" when it comes to finding a sound.

  19. Q: What type of music do you usually work on?

  20. A: When I started it was a lot of Folk/Singer-Songwriter & Pop, but have lately been doing a lot of Punk, Indie Rock and a bit of Hip Hop. I love all of it.

  21. Q: What other musicians or music production professionals inspire you?

  22. A: In no particular order: CLA, Ethan Johns, Phil Spector, John Feldmann, Bill Stevenson, Jay Maas, Jeff Rosenstock, Glen Adams, Dave Pensado, etc...

  23. Q: Describe the most common type of work you do for your clients.

  24. A: It varies from project to project but I'm usually the Recording Engineer & Mix Engineer for most of the projects I have been involved in. Starting with pre-pro/arrangement, to tracking and editing, then taking it all the way to the final mix. I have also been Producer, Session Musician, and Mastering Engineer on a few different records.

loading
play_arrowpause
skip_previous
skip_next
Red Rover by Rikashay

I was the Recording Engineer, Mixing Engineer, Producer & Mastering Engineer in this production

Terms Of Service

Typically I work per project or per song as every project is going to be different and the last thing I want is for an artist to feel the constraints of the clock. Hourly rates upon request!

GenresSounds Like
  • The Kooks
  • Goldfinger
  • Ray LaMontagne
Gear Highlights
  • Pro Tools 10
  • KRK
  • Waves
  • Soundtoys
  • iZotope
  • Sonnox
  • Rode
  • Shure
  • Sennheiser
  • Gibson
  • Ibanez
  • Garnet
  • Orange
  • Hughes & Kettner
  • etc...
More Photos
SoundBetter Deal

Definitely. Lets chat about it!