Waves in Frames

Sound Designer

Waves in Frames on SoundBetter

If Dolby Labs, and the great Steve Vai trusted me with their audio, so should you! I am a dedicated audio professional that will always produce high quality deliverables.

Waves in Frames is a Post Audio company based in Los Angeles, CA. We provide Sound Design, Foley, Music and Final Mix for Films, TV, Commercials, Trailers, and Web videos.

Tell me about your project and how I can help, through the 'Contact' button above.

Interview with Waves in Frames

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: A film titled Verge. This film was chosen to be in the Omaha Film Festival in March of 2018, and received a massive amount of great reviews. My role was sound design, dialog edit, mixing, and mastering.

  3. Q: What are you working on at the moment?

  4. A: I am working on a trailer for a client in Los Angeles titled "Beautifully Flawed" which is being pitched to Netflix as a series.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: No

  7. Q: Analog or digital and why?

  8. A: Digital, because that is what I have haha

  9. Q: What's your 'promise' to your clients?

  10. A: That you will receive original and quality material.

  11. Q: What do you like most about your job?

  12. A: Making my clients happy, and creating quality product.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: How long will it take? Answer is, it depends on how long, and what the content is.

  15. Q: What's the biggest misconception about what you do?

  16. A: That I only do sound design.

  17. Q: What questions do you ask prospective clients?

  18. A: What feel, or mood are they trying to conceptualize in their project.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: I would just recommend communication to be consistent.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: Nylon, Acoustic guitars, Ukulele, Bongos, banjo.

  23. Q: What was your career path? How long have you been doing this?

  24. A: I've been playing guitar for over 30 years, became a sound designer, and now combining both skill sets.

  25. Q: How would you describe your style?

  26. A: Original, creative.

  27. Q: Can you share one music production tip?

  28. A: Fill the entire stereo spectrum with sound, not just L and R.

  29. Q: What type of music do you usually work on?

  30. A: Film music, specifically thriller/horror

  31. Q: What other musicians or music production professionals inspire you?

  32. A: Al Di Meola, Joe Pass, Dysrhythmia, Gorguts, Neurosis

  33. Q: What's your strongest skill?

  34. A: Attention to detail

  35. Q: What's your typical work process?

  36. A: First, I watch the visual content to get an idea what is needed to help tell the story, then I mark where the sound effects are needed, and start working on dialog first, ambiences, music, mix, and master.

  37. Q: Tell us about your studio setup.

  38. A: Pro Tools 10, 11, and 12, Ableton Live, SoundForge, Kontakt, Garritan Orchestra, Melodyne, iZotope RX, Waves Complete, Dehumaniser, Blue Cat Audio Hardware: Avid Icon, D-Control, Dynamic, condenser, and ribbon mics.

  39. Q: Describe the most common type of work you do for your clients.

  40. A: I most commonly do sound design, Foley, mixing, and mastering for commercial, short, and feature length film.

Terms Of Service

* Revisions - four revisions per project * Turn-around time - depends on length of project. * Negotiable rate built around project length.

GenresSounds Like
  • David Lynch
  • Jonathan Miller
  • John Debney
Gear Highlights
  • Pro Tools 10
  • 11
  • and 12
  • Ableton Live
  • Omnisphere
  • Kontakt
  • Garritan Orchestra
  • Melodyne
  • iZotope RX
  • Waves Complete
  • Dehumaniser
  • Blue Cat Audio
  • Avid Icon
  • D-Control
  • Dynamic
  • condenser
  • and ribbon mics.
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More Samples