Alex Burr - A Cut Above London

Mastering and Mixing Engineer

7 Reviews (1 Verified)
Alex Burr - A Cut Above London on SoundBetter

I will lovingly maximise your music's potential and get it sounding balanced, warm, clear and loud for all listening environments. I have a comprehensive understanding of all bass music/hip hop/trap/grime/rnb styles and how they should sound in the club, on the radio and in your headphones. Send me your music and I'll know the direction of it.

Mastering Engineer at A Cut Above London. Resident mastering engineer at ROOT73, a community arts and music organisation in London. I've mastered music for SB.TV. I specialise in Hip Hop, Trap, Grime and R&B.

I will prepare your music to commercial standards ready for radio, digital release and playback in all listening environments for an accessible price. Many of the tracks I've worked with through A Cut Above and ROOT73 have got repeat air time on BBC Radio 1XTRA, Radar Radio and Reprezent Radio. I can also offer my opinion to help you improve your music.

I offer mix appraisals prior to track masters so we don't waste time mastering something which could be mixed better. I also offer mixing and audio repair services.

$50 - 1 track master
$90 - 2 track masters
$130 - 3 track masters
$160 - 4 track masters
$35 per track - 5 tracks+

$60 - stem master (6 bus stems, + $5 per extra stem)
$75 - track mix (20 stems + $5 per extra stem)
$85 - mix and master (20 stems + $5 per extra stem)

+$10 - 24 hour rush

$10 - per minute audio repair (denoise, decrackle, declick)

$5 - Detailed mix appraisals for tracks not being mastered

A stem master offers more control in dynamics, colour, stereo imaging and eq over the individual stems, eliminating the need for making sacrifices in the final master.

Please get in touch for a friendly chat about your projects!

Tell me about your project and how I can help, through the 'Contact' button above.


Reviews (7)

Endorse Alex Burr - A Cut Above London
  1. Review by michael b.

    Alex is the man if you need a song master. He will do what it take to make sure. Is also patient and good at communicating.

  2. Review by Sasha M.

    Good work! Everything was done like I wanted and even better.
    Very neat at work, responsive and deeply involved in project.

    Thank you Alex!
    Hope we will work again.


  3. Review by Brian L.

    I had Alex master one of my tracks and I couldn't be happier with the job he did on it. He was very responsive and made great efforts to have the track sounding perfect. I didn't have to tell much because he just understood the direction I wanted to go. I look forward to working with him again.

  4. Review by Maximillian Muir

    Amazing work! Had my EP mixed and mastered by A Cut Above and I'm over the moon about it! Sounding so much smoother and sonically pleasing than before I sent my tracks over. Very efficient job and for a very reasonable price. I definitely recommend it, and on top of that, he's a super nice guy and knows his stuff. Peace!


  5. Review by Sam

    A cut above made the tracks I sent them so much better than I ever thought they could.

  6. Review by Sebastian Sattin

    Not usually the type to hand my music over to anyone outside my fold but A Cut Above did the sound I was going for absolute justice with a beautiful master. 100% recommended and I'll be using them for all future releases

  7. Review by Dan Lee

    Great work mastering Fyans music, I would highly recommend! Quick turnaround and sounds great.

Interview with Alex Burr - A Cut Above London

  1. Q: What was your career path? How long have you been doing this?

  2. A: I've been mastering for 2 years. I trained with the community studio ROOT 73 in London. I also produce drum and bass as Melysma and have forthcoming releases on Dispatch Recordings and Program (RAM).

  3. Q: What other musicians or music production professionals inspire you?

  4. A: Streaky at Metropolis Mastering

  5. Q: What advice do you have for a customer looking to hire a provider like you?

  6. A: Don't hire someone who is brisk and unpleasant. If they don't seem respectful, chances are they won't treat your work with respect. So make sure you get along!

  7. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  8. A: !I only have 5 pieces of gear, lucky me! My monitors and sub, laptop and MicroKorg.

  9. Q: Can you share one music production tip?

  10. A: When cleaning up vocal stems, always cut below 100 hz minimum to get rid of any low end rumble and look at cutting 250-350 hz to remove any muddiness. A narrow cut around 1k hz can also add smoothness. Finally always add fades at the beginning and end of audio regions to get rid of pops and clicks. These are very simple things but you'd be surprised at how many tracks I'm sent where none of this is done!

  11. Q: What type of music do you usually work on?

  12. A: I work with a wide range of genres but predominantly with vocal artists. This includes singer/songwriter music, hip-hop, trap, R&B, soul, grime and pop. I do occasionally work with indie rock bands which I also enjoy immensely.

  13. Q: What's your strongest skill?

  14. A: Using my ears.

  15. Q: What do you bring to a song?

  16. A: I can bring whatever the client requires and I can very often tell what they require without them describing it in detail (according to the genre they are working with). Things I always aim for when working however are: a coherent sense of space, tonal balance, clarity/separation of individual elements, an appropriate amount of warmth, and of course loudness.

  17. Q: What's your typical work process?

  18. A: First things first, if anything needs ironing out on the client's end for better results, I'll offer my advice. This ranges from removing clicks in audio stems with fades to a full detailed mix appraisal. Once work has started, Eqing and tonal control comes first, followed by dynamics and then extra colouration (if required - Tape/Tube Saturation) and finally limiting.

  19. Q: Tell us about your studio setup.

  20. A: I currently work with 2 Dynaudio BM5As and an Apogee Ensemble in a good room. I use plugins from FabFilter, Sony Oxford/Sonnox, EMI/Chandler Abbey Road, Waves, Nomad Factory, Izotope and Brainworx.

  21. Q: Describe the most common type of work you do for your clients.

  22. A: Track masters for hip hop, trap, grime, R'n'B.

Late Night by Landoni

I was the Master Engineer in this production

Terms Of Service

Revisions are unlimited up to point of completion and payment (including revisions to the mix on the clients end), thereafter they are charged at a rate of $10 per revision. Typical turn around 2 days

GenresSounds Like
  • Lil Yachty
  • Migos
  • Loyle Carner
Gear Highlights
  • Dynaudio BM5s
  • UAD Apollo - (Distressor
  • Fatso
  • Studer
  • Ampex
  • Neve/API/SSl Consoles etc)
  • Yamaha HS10s
  • Apogee Ensemble
  • Warm Audio 1176
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