It's too short to wri...
...te. Oh, good. Here we are. Hello everyody, my name is D.Fox, I offer to your attention a set of my skills: mixing, mastering, sound design, arrangement, remixing, extreme vocal talents and others. As you can see I'm an one-man-band musician. You can check out my music below.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Interview with D.Fox
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I think I'm working on it. I have my own dark electronic project, so work is in progress. Anyway, we will hear it soon.
Q: What are you working on at the moment?
A: Russian industrial project Candieland. You can find them at BandCamp. I'm mixing their first album now. Solid stuff!
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Me :)
Q: Analog or digital and why?
A: The only way to become stronger is to mix two into one. Just remember: every single masterpiece contains a lot of aspects. Brake rules. This is the only way to survive. Wait, where were we? Oh, yeah. Analog or digital. The answer is both.
Q: What's your 'promise' to your clients?
A: I do my best. I have no any different choices.
Q: What do you like most about your job?
A: Everything. It's the only job I really love.
Q: What questions do customers most commonly ask you? What's your answer?
A: - How much it costs? - Fair enough.
Q: What's the biggest misconception about what you do?
A: "If this guy works with dark music he's not able to mix pop or rap music". That's ridiculous.
Q: What questions do you ask prospective clients?
A: What? and When? How? is the questions I'm asking myself before I'm doing my job.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I don't like making advices, I love making music. But if you ask me to... Be honest.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Obviously, they wouldn't work without electricity. The best way to create music is to create your own percussions (toms, conga-bongos, etc.) and dance through the fire with chaos in your eyes!
Q: What was your career path? How long have you been doing this?
A: I'm listening to industrial since I was 6. I started to create my own music since I was 16.
Q: How would you describe your style?
A: "Life is a glitch. Get your FIXt!" Ok, I know, this quote belongs to Celldweller and his web-site, but hey, it sounds amazing!
Q: Which artist would you like to work with and why?
A: I have my own vision of music, sound design, production... So, it is difficult to answer that question. All that I can say is when I have to create a remix, I'm doing it in my own way. In the end, there are two very different songs.
Q: Can you share one music production tip?
A: There are two ways of music production. First: when you are making it slow and bad. Second one: when you're making it quick and good.
Q: What type of music do you usually work on?
A: Industrial rock, glitch, dubstep, modern death metal, dark electro and ambient. I worked on a rap alum one time, and I did it good too.
Q: What's your strongest skill?
A: Come listen to my tracks. I think you can find not the only one.
Q: What do you bring to a song?
Q: What's your typical work process?
A: Drinking coffee, sitting on my chair in front of my PC, ruling my DAW to make the sample sound at 100%. I don't believe I have something unique. All the engineers know the routine.
Q: Tell us about your studio setup.
A: I don't like to uncover my secrets. All that I can say is I have a solid basic setup with all needed gadgets.
Q: What other musicians or music production professionals inspire you?
A: Hans Zimmer, Real T Cardinal, Michael Trent Reznor and Albert Klayton (also known as Celldweller).
Q: Describe the most common type of work you do for your clients.
A: Mixing, mastering, sound design. I love making music, finding the best sound to make a perfect atmosphere to listen to.