We are a spanish facility based in Valencia. Our main activity is Profesional Mastering. If you need a clean, punchy and loud sound, just drop us a line, let us take your music to the next level!
Our mastering room is build around perfection in playback and performance. We think this is the most important thing here, just listen absolutely everything in your music to take control of tone and dynamics.
We work with the best tools in the market. Hardware and software manufactures like Manley, Antelope, Dangerous Music, Neve, Maselec and Universal Audio. Our monitoring system is a combination of B&W 802D Diamond and Classe with our mastering console from Crookwood.
Send me a note through the contact button above.
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1 Reviews - 1 Repeat ClientEndorse Nexo 101 Studios
Interview with Nexo 101 Studios
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I have mastered about 6000 titles or more... there are a lot of great records I have done!!!
Q: What are you working on at the moment?
A: A metal rock album.
Q: Analog or digital and why?
A: All. No debate about it.
Q: What's your 'promise' to your clients?
A: Get the best from your music or production.
Q: What do you like most about your job?
Q: What's the biggest misconception about what you do?
Q: What questions do you ask prospective clients?
A: Things about the final release and format, loudness level....
Q: What advice do you have for a customer looking to hire a provider like you?
A: Drop me a line talking about your project, is the best way we can understand what is best for your music.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My speakers, amp, DAC and computer. And my chair!
Q: What was your career path? How long have you been doing this?
A: I have 24 years doing this...
Q: How would you describe your style?
A: Clean and powerful
Q: Which artist would you like to work with and why?
A: too many
Q: Can you share one music production tip?
A: Just keep in mind the harmonic content of your mix, if there is too much, it will sound harsh and thin. I prefer fro master a song with less hi content.
Q: What type of music do you usually work on?
A: A lot, but electronic, rock and jazz mainly.
Q: What's your strongest skill?
A: Listening and eqing.
Q: What do you bring to a song?
A: A more professional and "finished" sound.
Q: What's your typical work process?
A: First I tend to listen to my client about what he/she expect from me. Then a listen the music. From here is just EQing mainly take care of the mix sound but taking it to the next level.
Q: Tell us about your studio setup.
A: I have here a very good combo of digital plugins and analog gear. I use right now 3 analog eqs with different flavors, from a classic punchy and precise sound (Maselec MEA2) to a tube creamy tone (manley Massive Passive). The last analog eq is a really 3D and open sound equipment (Dangerous Music BaxEQ). In the dynamics, I use an amazing Rupert Neve design portico Master Bus Processor and a Foote Control Systems P3Sme. In the digital domain, I use a lot the Fabfilter stuff, especially the eq, limiter and multiband. If need somnthing more coloured, I use the Universal Audio plugins in my satellite, they sounds amazing. For converting AD and DA I use an Antelope Audio Pure2 and Crookwood DACs with my mastering console. My monitors are the amazing B&W 802D Diamond with MIT cables and Classé amps.
Q: What other musicians or music production professionals inspire you?
A: My work is more in the technical side, so this is a non relevant question.
Q: Describe the most common type of work you do for your clients.
A: I do a lot of mastering for electronic music, rock and jazz.