Mastering brings warmth, clarity and punch to your music. Your audio files will be listened through the entire content before making the necessary adjustments to the final master.
• High-end professional Audio Mastering
• Your music will sound consistent and dynamic
• Volume will be raised to a more-dominated level
• The music will sound optimally on different systems
• EQ and compression adjusted for each song separatly
• Mastered for iTunes with in 24bit 44kHz at -0,3dB peak level
• Eliminating unwanted noise at the beginning and end of the track
• Editing pauses and fade-in at beginning and fade-out at at the end of song
• Real time Sample Rate conversion, up to 96 kHz-24 bit [mastering for vinyl]
Send me a note through the contact button above.
- Rockett Love
- Young Khalifa 77
- Cajsa Cammomile
- Mauricio Lisegran
- Mikael Bojko
- Jahman Landen
- United Survivors
- The Lost Lyricists
- Bang Bang Rouge
- Silly Selection
- The Organyzed
- Dual Fuzz
- Back T School
- Nicklas Öhrström
- Mainstreet Stompers
- Hemzy Barry Thys
- Hyper Fury
- Listen Look & Fly
- Miklo & Tusenfalk
- Flimpoman Ngabo
- Prezedant Mr.Mo
- JahPete Gölles
- Banka Bäver
- Cajsa Camomile
- Heiner Arias
- Oskar Olust
- The Organysed
- Simone C
- Simon Gårdh
- David Guns
- Livia Rita
- Tom Mcluckie
Reviews (13)Endorse D E X Y mastering
Dexy Mastering is incredibly professional. They will not give up until the customer is 100% satisfied.I totally recommend Dexy Mastering
Very Pro and Recommended from a non pro musician who learned a few things on the way.thanks.
Great master. Quick turnaround. Good communication. Would totally recommend DEXY! Thanks!
These guy are proffesional. Gave them a project of mastering my tum´nes and it did not take them so long, to return back to me with completed job done well
Great work as usual!
Dexy went the extra mile for us, Mastering sounds great. Very professional to work with.
DEXY is very professional; quick to communicate and deliver masters and extremely fair throughout the revision process. Absolute best value for dollar! Thank you again! A pleasure to keep working together!
Such an absolute pleasure to work with DEXY again. We are so happy with the finished track, and the communication all the way through the process was seamless.
Working with DEXY Records for Mastering has been a wonderful experience. Dean gave us feedback on our track so we could make fixes before he produced the final master. His prices are so reasonable, but most importantly, he has the ear! Everything was done very quickly and efficiently, very much to our satisfaction! Will definitely hire again!
Great service. Fast and professional work.
They provide everything you need about audio and have a great knowledge about it
Is a pleasure have known them and are very recommended
Excellent work and team of work
I'm so happy with the result
Best Service and first choice for me, fast and professional mastering, very good feedback in process!
Dexy Mastering is my No1 choice when it comes to online mastering. The quality is superb och the support is outstanding!
Interview with D E X Y mastering
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I had the honor to do Mastering work on "Rockett Love" (AOR rock band) and their first single Mixed by none less than Beau Hill (Europe, Ratt, Winger, Alice Cooper). It was a real pleasure to do a mastering after such a good mixing engineer!
Q: What's the biggest misconception about what you do?
A: Sound = Loud
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Bob Katz, when you can afford it.
Q: Analog or digital and why?
A: Both! During the process I prefer analogue, and thereafter rounded off digitally.
Q: What's your 'promise' to your clients?
A: Your mix will always sound better or excellent after finishing mastering!
Q: What do you like most about your job?
A: The most exciting is the variety and challenges to live up to expectations.
Q: What questions do you ask prospective clients?
A: Any specific requirements or expectations and when it must be completed? Do you have a reference track to attach in order to match the sound, dynamics and EQ?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I am here for you, try to communicate honestly and openly, be realistic, let me help you.
Q: What type of music do you usually work on?
A: I prefer all music with emphasis on musical virtuosity and song dynamics. Virtually all music, and then I also get my part of personal development.
Q: What was your career path? How long have you been doing this?
A: Electronics and music I have been engaged since 1986 by building own amplifiers, EQ's, Echo-machines with more. 1996 I started with mastering and enjoining it until today.
Q: Which artist would you like to work with and why?
A: I would like to work with Joe Lynn Turner, the old man beats the shit until today.
Q: Can you share one music production tip?
A: "Dirty Inn - Dirty Out" There are no shortcuts to good sound! Everything has to be done right through the entire production chain from recording, audio editing, mixing and finally mastering.
Q: What's your strongest skill?
A: Trained hearing, many years of experience and passion for the music.
Q: What do you bring to a song?
A: I contribute with value-adding to my client's music and brings out the beauty in it by: *CRITICAL LISTENING *DIAGNOSIS *PROCESSING *FINISHING A SONG
Q: Describe the most common type of work you do for your clients.
A: It is preferable to allow a third party to listen and judge the recording and mixing results. I believe in the original beauty of produced music, as well as striving to maintain its original shine without destroying the basic elements. It's like comparing to make-up, the more you spit on the face, the more distorted the natural beauty, with the exception of recordings that have gone wrong and need to be restored.
Q: What's your typical work process?
A: The most important thing is communication and understanding what the client is looking for! I am trying to be a good listener and helper in the whole process. After receiving the audio file and the list of requirements, I listen 2-3 times to the material. Then I look at the graphic image of the audio file with focus on; Distortion, clipping, limitation, compression, dynamic range, sound to noise ratio, with more ... The next step is any complement from the client or go for mastering ...
Q: Tell us about your studio setup.
A: I have deliberately chosen not to make the studio to an spacecraft, but strive for a balance between equipment, studio space and the final consumer environment. My current setup, in addition to Digital Audio Workstation with retro programs and plugs, consist of very carefully selected outboard components balancing between sound quality, flexibility, operation and price level. I was looking for a mix of vintage analog tube/FET sound and high-end digital finish, in other words my own hybrid sound. Each device has special purpose and is connected in series with the possibility of intral parallel compression. I've ruled out switches, patchbays and mix summers with the simple reason for signal degradation, noise and capacitive losses in the cables.
Q: What other musicians or music production professionals inspire you?
A: Current musicians and bands; No mention, no one forgotten! On the other hand, there were two guiding stars that were crucial to my choice of profession, namely Bob Katz with his philosophy under the T.C. Electronic wings and CUTTING-ROOM with its commercial disc that came out in the mid 90's. This was a turning point ... My current influences include Mandy Parnell and Sylvia Massy.