Demian Frank

Mixing Engineer/Music Producer

Demian Frank on SoundBetter

You pay what you think my work is worth, that's the deal! As mixing engineer I am always on the quest for making a client's sound captivating. Hip Hop focused but also experienced in alternative/indie rock.

My musical socialization was heavily influenced by 90s and early 2000s hip hop: Tupac, Dipset, Cormega, Nas, Masta Ace. As well as some other inspiring artists like RHCP, The Smiths, BO, Lana del Rey, Daughter and all the songs, that came to leave footprints in one's life. Felt asleep with headphones on my ears nearly half my youth.

I have been working for many years on hip hop (mixing and producing), also some singer-songwriter projects.
Now I want to build my portfolio not only with local clients, but here on Soundbetter.
In order for you to have no risk with your investment, you will only pay what you think my work is worth to you, that's the deal.

Reach out and we can discuss the details and find a way to collaborate.
Looking forward to work with you!

Would love to hear from you. Click the contact button above to get in touch.

Interview with Demian Frank

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: Check my SoundCloud where I upload my solo projects, everything is done by me (production, mixing, mastering).

  3. Q: What's your 'promise' to your clients?

  4. A: Great music. Honest and open communication.

  5. Q: What do you like most about your job?

  6. A: Working on music and collaborating with people to create captivating music. Being able to do what I love.

  7. Q: What questions do you ask prospective clients?

  8. A: Do you have a reference, you want your track to sound like? Can you provide some of your own projects that you really like?

  9. Q: What advice do you have for a customer looking to hire a provider like you?

  10. A: Honest communication is key. Communicate what you want to achieve with your project, how you imagine it to sound and be as specific as possible.

  11. Q: Can you share one music production tip?

  12. A: Make decisions based on emotional resonance, but learn the tools and techniques to be able to come closer to that.

  13. Q: What's your strongest skill?

  14. A: Perseverance and attention to detail.

  15. Q: What do you bring to a song?

  16. A: Dedication to the emotional message. The fundamentals of mixing are mainly technical and they need to sit right, but making a song emotionally captivating is the art. I will take care of both.

  17. Q: What's your typical work process?

  18. A: Listen to the track, take notes, leveling and then the magic begins. Working on whatever grabs my attention until I'm finished. It's like working on a sculpture made of stone: first you work on a rough level and then you dive deeper and deeper into the details.

  19. Q: Tell us about your studio setup.

  20. A: I work in my home studio in an acoustically treated, dedicated room for music creation and mixing. Yamaha HS 8 as main monitors, Beyerdynamic DT 770 and Audio Technica ATH M50X as main headphones.

  21. Q: Describe the most common type of work you do for your clients.

  22. A: Mixing hip hop and alternative/indie tracks, usually 25-50 tracks per song. Sometimes significantly more.

  23. Q: What are you working on at the moment?

  24. A: Besides mixing and music production: building an online presence.

  25. Q: Analog or digital and why?

  26. A: Digital, because it gave millions of people opportunities in music that would have not been available a few decades ago.

  27. Q: What type of music do you usually work on?

  28. A: Hip Hop, Alternative/Indie

  29. Q: What other musicians or music production professionals inspire you?

  30. A: PzY, Noah Shebib, Heatmakerz, William Orbit

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Demi - Whatever you feel

I was the Producer, Mixing Engineer in this production

Terms Of Service

Mixing: 3 revisions, editing and tuning not included (you define the rate) Mastering: 2 revisions (you define the rate) Production: producer credits obligatory, royalties to be negotiated

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