Soloist Classical Guitar. Multi-instrumentalist singer/songwriter, lyric writer, record producer, sound engineer, sound mixer and mastering. My music integrates a wide variety of styles, including Rock, Funk, Metal, Punk, Blues, Rap, Latin, Soul, Psychedelia and Pop.
Amery Rey Tuesta (January 10, 1980) Is a Peruvian soloist classical guitar, singer, songwriter, multi-instrumentalist, record producer and sound engineer. His music integrates a wide variety of styles, including funk, rock, metal, punk, blues, rap, Latin, soul, psychedelic, and pop. Amery Rey Tuesta is born in Pucallpa and developed an interest in music as a young child. At the age of 17 he started to compose solo guitar pieces like: Demequi, The Memories Of Radharani and more compositions for solo guitar. At the same age he started a band with some friends playing the bas songs cover from Nirvana. After that he have been playing in many different bands, included a song professionally recorded called "Parte De Ti" Band Zuraz. The Song was played in the radio for one month, the year 1998. Concerts experiences as a soloist classical guitar, and playing in bands began when he was 18 years old. He moved to Europe at the age of 29 and released his first album as soloist classical guitar: "Prema" by Siddhanta in 2012. In 2014 he released as music producer and as an artist the album "Nimai" by Siddhanta, the "EP" "The World Loves You" and the album "The Weird" by Amery Rey Tuesta. Same year he released the album "La Vida (Instrumental Chillout Music)" by Amery. In 2015 he released the album "SEXSIXSEIS" and" MENSCOR" by Amery Rey Tuesta. In 2016 he released the album "Mr. Black Pants"
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Interview with Amery Rey Tuesta
Q: What are you working on at the moment?
A: In a new project called: Latinoamerica
Q: Analog or digital and why?
A: Don't forget that the most important part of a song production is not the mastering part. The most important part is the recording and the mixing part. Mastering is to increase the volume of your tune, keeping the warm of your organic and virtual sounds, keeping your high, mid and low frequency in balance. Example: What is mentioned above is no possible if your tune has not the right headroom or if your song is not well mixed. In the mastering process unwanted sounds can't be deleted. What you can do is record it again or forget about it. Because If your tune is not well recorded and mixed, neither plugins or analogue gear will be able to fix it. A plugin can manipulate your sound in the same way than a analogue gear would do. If one doesn't know how to edit a sound, whether by using digital or analogue gears, success you will never achieve. Mix and Mastering in the box is nowadays the most popular way to finish your product (Song)
Q: What's your 'promise' to your clients?
A: You will not regret this.
Q: What do you like most about your job?
A: To listen the song when it is ready.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you make it better? Of course, I can make it better.
Q: What's the biggest misconception about what you do?
A: Things doesn't get easy. You get strong because you learn things.
Q: What questions do you ask prospective clients?
A: Do you think you can handle it?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I would recommend to him/her to listen my work first. If she/he, after doing that, still have doubts. It mean that I'm not the one who can help him/her with the job.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A computer with a music production software, a sound card, a electric guitar, a microphone and a Solar Laptop Charger.
Q: What was your career path? How long have you been doing this?
A: Studying, experimenting, doing and continuity. Five years.
Q: How would you describe your style?
Q: Which artist would you like to work with and why?
A: Janis Joplin. Her voice, and the passion which was impregnated in her way to sing.
Q: Can you share one music production tip?
A: Try new things, keep the standard and try always to get goosebumps by listening the song.
Q: What type of music do you usually work on?
A: Rock and Fusion
Q: What's your strongest skill?
A: Compose, arrange and playing guitar.
Q: What do you bring to a song?
A: I want to get goosebumps by listening the song.
Q: What's your typical work process?
A: My work process start first in my mind. By having in mind which instruments I will use for the song makes easy the rest of the work. I work in Pro Tools. After I do the first I start creating the Master Fader, Audio Tracks and Aux tracks for the session. I have been doing this for awhile so it doesn't take me that long to have my setting ready to start, because I have already created my own templates for the type of music I will work with. Otherwise, it would take a lot time before one is able to start.
Q: Tell us about your studio setup.
A: I have analog and digital gears in my setup.
Q: What other musicians or music production professionals inspire you?
A: I like Muse, Pink Floyd, Manu Chau. I like some song of Iron Maiden, Megadeth, AC/DC. I like some songs of Eminem and some other of that style. I like some songs of Moby, Adele, Pharrell Williams, Gnarls Barkley, Drake, Daft Punk. I like some songs of Santana, Hector lavoe, Los Fabulosos Cadillacs. Actually, I have a huge list which probably will not fit here... :)
Q: Describe the most common type of work you do for your clients.
A: I listen their demo song in order to develop it. I compose the arrangements for guitar and bass. I compose arrangements for Strings and Brass to the song. I design the drum beat for the song. I record and edit their performance. I mix and master their songs. I write the lyrics. I help musicians in their performance.