Welcome to Ohne Sorge Tonstudio from Berlin, Germany!

Send us a message if you’re interested! :-)

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

My credits include

Gear highlights

  • AKG
  • Sennheiser
  • Shure
  • Radial Engineering
  • Focusrite
  • HOFA
  • Celemony
  • Native Instruments
  • iZotope
  • Toontrack
  • Softube
  • Ibanez

Genres I specialize in

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Interview with Ohne Sorge Tonstudio

Analog or digital and why?
Analog gear for recording, mixing and mastering digital. If you now your craft, you won't be able to tell the difference between a badass mix on a tape machine and a badass mix with a tape machine plugin.
What's your 'promise' to your clients?
I will always be super transparent about my work and won't leave them alone until I'm sure that they're completely satisified with my work.
What was your career path? How long have you been doing this?
I started in 2009 after I heard "Death Magnetic" by Metallica. By that time I was also (and still am) a fan of Porcupine Tree's music and the way their records sounded. Combine these two facts and you know why I'm doing this!
Can you share one music production tip?
When mixing, ALWAYS take a short break after 15 or 30 minutes to "reboot" your ears. Then listen to the whole thing again and make notes what you want to change.
What type of music do you usually work on?
Most of the time guitar driven music but I also like super stripped down singer / songwriter music, spoken word, hip hop / rap and weird stuff.
What do you bring to a song?
It always depends on the material but if the artist / band is open to it, I suggest to change here and there a little thing.
Tell us about your studio setup.
I like to stay flexible, that's why I keep all my outboard gear in racks and my microphones in a case. My cables are ordered by XLR, Jack, Headphone extensions and length, in case I need to record a drumset RIGHT NOW. :-D
What's your typical work process?
Before recording anything, I sit down with the artist / band and talk about all kinds of stuff, to get an idea what the people behind the music are like. Then we talk about how it should sound like (reference material), where we want to record it (my place, their rehearsal space), how many songs it will be and so on.
What other musicians or music production professionals inspire you?
Tons of old and recent music, books, movies and live itself. And cat videos!
Describe the most common type of work you do for your clients.
Most of the time I'm involved from start to finish when creating a song / record, which means I record, mix and master everything. I also do podcasts and spoken word stuff!