Northern California local with a BA in Recording Arts from CSU Chico who loves to rock and will give you huge mixes and slammin' masters (to your discretion). Also a schooled musician who has played a huge assortment of music and is always craving to experience more.

Gear highlights

  • Apogee Duet 2
  • JBL LSR305s
  • Macbook Pro w/ 16GB RAM
  • Slate Digital Mixing and Mastering Bundle
  • Steven Slate SSD4 and Trigger2
  • Aguilar ToneHammer 500
  • Mesa Boogie Bottle Rocket OD Pedal

Genres I specialize in

Terms of Service

2 revisions per song for mixing, 2 revisions for mastering.

Endorse Sgnarly Audio


Interview with Sgnarly Audio

Analog or digital and why?
I prefer analog equipment, but I don't have the money to afford most analog equipment. Yet. Digital is great for editing, but I always have to compensate for the staleness of digital conversion. Luckily, I have some nice software to aid me so I can get that analog fatness and smear.
What advice do you have for a customer looking to hire a provider like you?
Communication is key. Tell your mix engineer exactly what you want to hear. It really helps to have a reference song or two that are of a similar style to what you have in mind for your music.
Which artist would you like to work with and why?
Primarily those who love big loud sounding music, but I am always open to softer and more delicate pieces.
Can you share one music production tip?
NY style compression can really help make your drums sound huge.
What other musicians or music production professionals inspire you?
John Fischbach, Stevie Wonder, Jay Messina, Little Dragon, every band member of Gojira, and many many more!
Describe the most common type of work you do for your clients.
I primarily mix for my clients and bring all the elements of their music together, turning their creation into a cohesive and vibrant sounding product.