Making all types of electronic music, professional big room producer, also doing harder styles (hardstyle, hardcore and techno) and softer styles (deep house, reggaeton, trap). People seem to like my big room, techno, deep house and trap.e
I can offer mixing, mastering services but I mainly want to focus on making type songs for other artists. I am familiar with the proces of co- and ghostproducing. I am willing to make personal songs and type songs. I used to sell beats for artists. Later I focused on making EDM, I am releasing my own bigroom records. But I have a lot of other stuff and ideas that are in other styles that I can't release myself so I was thinking about using a site like soundbetter to connect with artists that need a little help from a experienced producer that is familiar with the ins and outs of music production. Someone that understands how the software works and someone that can properly mix his or other music. Also mastering is something I am really familiar with. I master records for a small music label. I think I could add some value to a lot of artists.
Contact me through the green button above and let's get to work.
Interview with My-Mar
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I am really proud of a remix I did for Dadi Freyr. The song where he participated with on eurovision 2020. My role was remixer.
Q: What are you working on at the moment?
A: I am working on a lot of out-of-the-box stuff. You could compare it to what maddix and sub zero project are doing at the moment!
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No there is no one I really know in person, as a friend.
Q: Analog or digital and why?
A: At the moment I am working 100% digital because it is faster, takes less space and is cheaper. The quality is not really worse it is more different. Sometimes analog might be better sometimes digital might be better.
Q: What's your 'promise' to your clients?
A: I promise a result that we can both be proud of.
Q: What do you like most about your job?
A: The freedom there is, even with an order or a style giver there is room for your own idea's and that is really important to me.
Q: What questions do customers most commonly ask you? What's your answer?
A: This is hard to fit in the answer box, usually they ask me if I could do style X or do Y. Than my answer will depend on what they asked. If I can't do X/Y I will say that I can't but if I can I will say that I can and why I can do that.
Q: What's the biggest misconception about what you do?
A: That I am just a DJ, but I am actually more of a producer than a DJ, I make the music and I don't perform it!
Q: What questions do you ask prospective clients?
A: I would ask what they had in there mind. It is very important to be on the same page so nobody will be unhappy at the end of the day. Just say what you think/want and we will get where you wanna be.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Just go for it, it may not seem like it but at the end of the day I will deliver.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: If I were on a desert island I would take my knowledge, my computer, my monitors, my headphones and my software. That is more than enough to make great music.
Q: What was your career path? How long have you been doing this?
A: I am still studying so for me this would be a nice sideincome. I have been doing this for 8 years now.
Q: How would you describe your style?
A: My style is happy and uplifting but it can also be really sad and emotional.
Q: Which artist would you like to work with and why?
A: I would love to work with Hardwell because he is a God when it comes to producing.
Q: Can you share one music production tip?
A: When you are mixing a song, don't put your monitors loud. Put them really quite, after the mixing put them loud and you will hear a clear, hard and crispy mix. Without any muddy parts in the mix.
Q: What type of music do you usually work on?
A: I usually work on electronic music in every way possible, this can be bigroom, bass house, techno, trap, indie, moombathon. I also make all this genres in my spare time so I know how to make these styles.
Q: What's your strongest skill?
A: I would say that my strongest skill is that I want to make everything the best I can. Get rid of mistakes and make something I am truly proud of.
Q: What do you bring to a song?
A: All the people that hear my music say that I can add a lot of emotion. This can be happy and uplifting (like in EDM), but also very sad, like when I make indie stuff with a guitar and a vocal. I think emotions are also something important when it comes to music, people wanna get a certain feeling.
Q: What's your typical work process?
A: There are 2 work processes: 1. I get a vocal and than I build a track around it or 2. I make a track like you want me to do and you sing over it. Both options are possible. In mixing/vocal editing it is way different but I can't explain all of that over here, so if you wanna know more message me.
Q: Tell us about your studio setup.
A: My studio is pretty need, I use more software than hardware at the moment. I have Fl Studio 20 so I can always send you the flp if needed. Further I have monitors and headphones to hear what I am doing. I also have a massive microphone and a midi-keyboard. It is a clean setup.
Q: What other musicians or music production professionals inspire you?
A: I was always inspired by the Calvin Harris. But Hardwell had the biggest inpact on my evolution in the music scene. I saw Hardwell grow to the number one spot and that was so wonderfull. I am also inspired by people like Blasterjaxx, Maddix, Sub Zero Project, just everyone that is going beyond the borders.
Q: Describe the most common type of work you do for your clients.
A: I mostly produce, make beats (with or without topline). I mix a lot of music and I am pretty active when it comes to seeking new techniques and workflows. If you have any more questions feel free to contact me because it hard for me to say what I can and cannot do right here.