Andrew Threlfo is a producer, mixer and engineer based at Hunting Ground Studios in Brisbane, Australia.

After receiving his BMus in Production at the Queensland University of Technology in 2014, Threlfo immediately busied himself by assisting producer and engineer Tristan Hoogland (Ball Park Music, Cub Sport, Sesame Street) and collaborating with artists in their homes and over the internet. Dissatisfied with the limitations of home studio production, he spent months searching Australia’s cities for a recording space to call his own before settling on Hunting Ground Studios in his hometown of Brisbane.

Whether it's recording a band live in the room or spending months to create a precise pop masterpiece, Threlfo embraces variety and knows how to bring out the best from each artist. Already in his short time working as a producer and engineer he has been lucky to share the control room with such talented artists as Charlotte Emily, Timothy Dale, MTNS, OK Badlands, Vancouver Sleep Clinic and Graham Moes. Threlfo’s love for music and the people behind it truly sets this producer above the playing field.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

My credits include

Gear highlights

  • Audient ASP800 preamp and harmonic saturator
  • Moog synthesizers
  • Slate VMR
  • Ableton Push
  • OPR 87 microphones

Genres I specialize in

Terms of Service

3x revisions, 2 week turnaround time.

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Interview with Andrew Threlfo

What advice do you have for a customer looking to hire a provider like you?
First make sure your performances and songs are as good as they can be. It'll make my job easier and your recordings/mixes a whole lot better.
What questions do you ask prospective clients?
I always ask what their creative vision is for the project and who they're most inspired by. And practically - what their timeframes and budgets are.
If you were on a desert island and could take just 5 pieces of gear, what would they be?
In no particular order - a Dave Smith synthesizer, an AKGC414 microphone, a UA Apollo interface, Apple MacBook Pro and Ableton Live.
What type of music do you usually work on?
Indie pop, electronic and singer-songwriter.
What do you bring to a song?
Light and shade, a sense of direction and ideally something fresh.
Is there anyone on SoundBetter you know and would recommend to your clients?
Luke Woollett. Great guy with even greater hair.
Analog or digital and why?
Really? This again?
What's your 'promise' to your clients?
That I'll listen.
What do you like most about your job?
That I get to be around music and musicians. It's the best thing.
What questions do customers most commonly ask you? What's your answer?
Q. What software do you use? A. It really doesn't matter. Q. Can you turn the vocals up another 3dB? A. Well...
What's the biggest misconception about what you do?
That I do it for free.
What was your career path? How long have you been doing this?
I accidentally started making tracks when I was 16 and soon realised I don't like doing anything else. I turned 18 and went to university to learn how to put microphones in front of things. I managed to complete my course without dropping out from frustration and have now set up shop in Brisbane's beautiful Hunting Ground Studios.
How would you describe your style?
Angular rhythms and big sounds.
Which artist would you like to work with and why?
Miike Snow - emotive melodies and production that's polished and gritty at the same time.
Can you share one music production tip?
Don't lose the song, make sure you're actually listening to the big picture. And save something for the final chorus.
What's your strongest skill?
What's your typical work process?
There's nothing typical about music.
Tell us about your studio setup.
Apple iMac computer with Pro Tools 10 and 11, Ableton Live 9 Suite and Apple Logic Pro X. Plugins include: FabFilter Mix Bundle, Slate VMR Rack, Native Instruments Komplete 5 Bundle, Trigger 2 Platinum, Melodyne, Waves CLA bundle, Waves Kramer Pie Compressor, Waves RBass, more various Waves and Soundtoys plugins. Audio I/O is Audient ASP800 and Focusrite Clarett 8Pre totalling 16 analogue inputs. Microphones include: AKG D330BT dynamic mic, AKG vintage kick mic, Audix D6, Nady CM-88 pencil condenser, Nady DM-80, OPR 87 pair (Neumann U87 clones), Rode M3 condenser mics, SE2200a cardioid condenser mic and various Shure dynamics. Backline includes: Ableton Push controller, Casio 88 key weighted MIDI controller, Diamond Halo stereo analog chorus unit, Ashdown Bass head + cab, Jet City 333 100-watt head, Marshall 1960A cab Squire P-bass, and Moog Slim Phatty synthesizer module.
Describe the most common type of work you do for your clients.
Tracking, mixing, producing and instrumentaion.