Steve Summers

Music Producer, Mix Engineer

Steve Summers on SoundBetter

I produce quality music and can make you mix sound superior without breaking the bank.

Stonewax Productions is a freelance music production and mixing studio based on the Sunshine Coast, Queensland. From custom beats to live band recordings, Steve has had the pleasure of working in a variety of genres ranging from Hip Hop to Psychedelic Rock. With numerous chart successes and a can-do work ethic, there’s no project that Steve can’t sink his teeth into. Get in touch to chat music!

WEBSITE: www.stonewaxproductions.com

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Interview with Steve Summers

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: The Dear Doonan 14 track live album. We tracked 14 songs in 4 days. The band is a six piece psych-rock outfit with Eastern and Western instrumentation. A huge project that took 6 weeks of planning. Now, in the mixing stage, the album is set to be released at the end of 2019, and will be a monster of catchy folk and psych-rock songs with an abundance of unorthodox instrumentation. Instrumentation consists of sitar, lute, dojo, banjo, electric guitars, bass, live drums, percussion, trumpet, harmonica and vocals, all blending together to create a unique quality of Eastern and Western music.

  3. Q: What are you working on at the moment?

  4. A: Dear Doonan's 14 track Eastern and Western inspired live album. Lily Taloola's Neo Soul EP. Luke Anthony's debut single. Prey of the Forest story driven video game score. Harlem Hip Hop debut.

  5. Q: Analog or digital and why?

  6. A: Both. Analogue is timeless and will always sound superior, however, in this day and age, the turn-key studio is a must for a fast turn over.

  7. Q: What's your 'promise' to your clients?

  8. A: Quality music without breaking the bank!

  9. Q: What do you like most about your job?

  10. A: Praise from the Artist. I love watching their reaction when they hear their music for the first time. My heart fills when the artist is proud of their work, and in turn tells everyone about it.

  11. Q: What questions do customers most commonly ask you? What's your answer?

  12. A: Can you help me with the songwriting process? Yes, I can! Can you produce my EP or Album? Yes, I can! Can you help me release my music, and gain publicity? Yes, I can!

  13. Q: What's the biggest misconception about what you do?

  14. A: It can be fixed in the box... It can be programmed to suit my abilities. It can be hard to make something out of nothing... Sometimes... If an artist has a goal of recording their song and is inexperienced in jamming with a band or working with a click, and they want to achieve that wall of sound production, then that becomes a speed bump. It slows down the process and can become disheartening when you can't achieve what the artists desires. As an artist, you should be as prepared as you can before seeking out a producer or engineer. You will save time and money if you have the boxes ticked before seeking assistance. In saying that, i'm always happy to hear the artist out before taking them on as a client. Sometimes it's doable, sometimes it can be like opening a can of worms.

  15. Q: What questions do you ask prospective clients?

  16. A: What's your budget? What are your goals with this project? Where do you see yourself in 5 years?

  17. Q: What advice do you have for a customer looking to hire a provider like you?

  18. A: Have some sort of understanding of your stylistic needs before commiting to a producer. Make inquiries to better understand whom can assist you with your goal, have a budget, and be open minded to a producers ideas. If they're credited, they'll know how to make your music the best it can possibly be and get it into the right hands so your music can be heard by the world.

  19. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  20. A: My Gibson ES390 named Layla, an SM57, my Neve Pre, my Apollo, and a set of headphones.

  21. Q: What was your career path? How long have you been doing this?

  22. A: I started out as a musician, playing with bands for many years. I then began producing artists out of my home studio, slowing building a list of clients and releases. I then studied Audio to further my skill, as well as a tonne of self-teaching on the industry itself. I then began freelancing as a producer in 2017, beginning to stamp my name and skill set on a bunch of different projects. From here, I've produced chart successes and have worked with bands and artists to deliver quality music to the public. As well as hosting my own events to promote the works. Now, i'm working in and out of different studios, and slowly but surely making my way up the industry ladder.

  23. Q: How would you describe your style?

  24. A: Psychedelic, Free Flowing, Tonal, and Groovy.

  25. Q: Which artist would you like to work with and why?

  26. A: I would love to work with Mark Ronson

  27. Q: Can you share one music production tip?

  28. A: Planning is the number one key to a successful project.

  29. Q: What type of music do you usually work on?

  30. A: Primarily Psychedelic music, Rock, Funk, Folk, R&B and Hip Hop.

  31. Q: What's your strongest skill?

  32. A: I'm a people person, and I'm really easy to get along with. I thrive in the studio environment, managing the session and keeping the creative juices flowing. I've found that once an artist is comfortable with me (which doesn't take long), I can get the best out of their performance. I've been playing guitar for 15 years, and drums for 10, and have a strong understanding of musical structure and relationships, and also what makes good music great.

  33. Q: What do you bring to a song?

  34. A: I can help write the songs, I can help arrange the songs. I can assist with the songwriting decisions, and help the artist define the stylistic elements of their goal. I can reference other material and achieve those elements (depending on the scope and budget of the project or course). I can also produce the entire track for a vocalist to sing on, whether they want an acoustically driven track with live drums, bass, guitars, keys etc, or, I can produce an entirely electronically based track such as hip hop, electronica, neo soul, and R&B.

  35. Q: What's your typical work process?

  36. A: Depending on the project scope, I will do some pre-production planning with the artist/band to get into their realm and understand their goal. If required and accounted for in the budget, I will book studio time and plan out the sessions. I will work with the band/artist to fine tune their music before stepping into the session. Then, when it's time for the sessions, I will create scratch tracks with the artist (if required), and begin layering instrumentation, or track live elements depending on the artist's required aesthetics. I will track till finished, then overdub anything else that's needed. Layer up the vocal layers, and then begin mixing. Once the artist is happy with the mix, I will arrange the mastering with them, and assist them the whole way to the release with they need.

  37. Q: Tell us about your studio setup.

  38. A: I work out of a range of studios, producing, recording, and mixing, and also work out of my home studio where I do a lot of in-the-box productions and mixing. Gear wise, I have Neve Preamps, a UAD Apollo Quad, an SSL mixer, Native instruments hardware, a reel-to-reel tape machine, a variety of instruments, amplification and guitar/effects pedals, and a range of software such as Pro Tools, Logic Pro X, Melodyne, Native Instruments, UAD, Waves, and iZotope.

  39. Q: What other musicians or music production professionals inspire you?

  40. A: I'm inspired by the work of Rick Rubin and Mark Ronson, as well as the quality of work created by Mix engineers like Joe Barresi, Andrew Scheps, Sylvia Massy, and Guy Gray. These gurus not only thrive in the studio environment, but they also have paved the way of the careers for many artists and producers.

  41. Q: Describe the most common type of work you do for your clients.

  42. A: I produce a variety of styles ranging from Hip Hop to Psychedelic Rock. From full live band studio production to in-the-box electronic beats, I love working with the artists to get the absolute best from their talents and making their musical ideas a reality.

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Dear Doonan

I was the Producer/Mix Engineer/Guitarist in this production

Terms Of Service

Quote based pricing on all production projects. A flat rate per song fee is required for mixing and mastering. A non-refundable 50% deposit on all projects is required prior to starting the project.

GenresSounds Like
  • Kikagaku Moyo
  • The Brian Jonestown Massacre
  • The Doors
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1 x free mix for new customers.

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    Her winning debut 'Away', was produced by Archive Audio and Stonewax Productions.