I'm a professional editor who can tighten up your tracks and make them radio ready. I've spent over a decade working with top level producers and know what it takes to make a song flawless. I can make your drums tight while sounding natural and I use Melodyne and Revoice to make your vocals perfect without sounding artificial.
I developed my expertise over 8 years of working at Phase One Studios in Toronto Ontario as a Senior Staff Engineer where I worked with Juno nominated acts such as Moist, Diemonds, Cancer Bats, Kathleen Edwards, Lydia Ainsworth as well as international acts including Yelawolf/Fefe Dobson, Nico & Vinz, Ghostface Killah, and many more.
Contact me now and lets talk about your project!
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
- Rob Moir
- Diemonds
- David Krystal
- Anastasia A
- Grim Logik
- Nico & Vinz
- Ghostface Killah
- Mia Martina
- Mirrelia
- High 75
- Moist
- Cancer Bats
- Dead and Divine
- Redambergreen
- Fefe Dobson
- Yelawolf
- Stereos
- The Honeyrunners
- Alessandra Paonessa
- Lydia Ainsworth
- Akarri
- Ian Thornley
- Big Sugar
- Holly Cole
- Kathleen Edwards
- No Assembly Required
- Bleeker Ridge
- Steve Costello
- Ninja Funk Orchestra
- Nancy
- Savage Peace
- Shaman Ayerhart
- Remedy For Doubt
- Farewell Cool Reason
- The Howll
- Daniel Mendez
- Awaking State
- The Suit
- Nafshenu & Shlomo Simcha
- Goddo
- Justin Sue
- Jahbez
- Barrymore
- Carly-Jo
- Gavin Davis
- Lyra
- Garry Atkinson
- Sarah Smith
- The Bird Sang Song
- Vanessa Morgan
- Anna Gutmanis
- Little People
- Njacko Backo
- Peter McCutcheon
- Scratch
- Skull Fist
- Dischord
- Hello Beautiful
- Roger Hodgson
- Sarah Slean
- Burning The Day
- Jim McCarty
- Havelin
- new language
- in this alone
- hundred suns
- sumo cyco
- monowhales
- yellawolf
Interview with Dajaun Martineau
Q: Analog or digital and why?
A: Both, All depends on your mood and what you're trying to do.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Solar panel, Laptop, Neve 1073, SM7, Lynx Aurora
Q: What was your career path? How long have you been doing this?
A: Over a decade of experience. I started off interning at studios, worked up the chain until reaching a senior staff engineer position. Now I am fully freelance and am able to travel and work in any studio environment.
Q: What's your 'promise' to your clients?
A: You'll love it! and if you don't, then you don't have to pay.
Q: What type of music do you usually work on?
A: Rock, Metal, Country and Pop.
Q: What's your strongest skill?
A: Drum editing and vocal tuning
Q: What do you bring to a song?
A: Over a decade of experience working in a wide range of genres handling everything from small indie projects to major label projects
Q: What's your typical work process?
A: There is no such thing as typical for me, I cater my work flow to each and every artist's specific needs.
Q: Describe the most common type of work you do for your clients.
A: Everything! I can go as deeply involved as songwriting and arranging or as lightly involved as just a vocal tune.
- Vocal TuningAverage price - $75 per track
- Time alignment - QuantizingAverage price - $75 per track
- EditingAverage price - $75 per track
- Mixing EngineerAverage price - $500 per song
- Universal Audio 1176
- Alan Smart C2
- ADR Compex F760X-RS
- Lynx Aurora(n)
- Pro Tools
- Ableton
- Logic
- Melodyne
