audio worker / producer

olive jun on SoundBetter

If you need another creative mind to work on your tracks, I'm your girl!

I have over ten years of experience in music production. I have extensive knowledge and flexibility with many different DAWs, including Ableton Live, Logic Pro, FL Studio, REAPER, Reason and Studio One. My own music has been featured on sites such as Pitchfork and Gold Flake Paint. I also offer lessons in Ableton Live and can provide lessons to building a set for live performance.

Contact me through the green button above and lets get to work.

Interview with olive jun

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: My first album, Asking/Bearing came out in 2017 and writing it and mixing it was a formative experience for me.

  3. Q: What are you working on at the moment?

  4. A: A new album as Lushloss.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: No

  7. Q: Analog or digital and why?

  8. A: Digital, I have complete faith in music technology to get a good result.

  9. Q: What's your 'promise' to your clients?

  10. A: I'll work as hard as I can to give you something you're proud of!

  11. Q: What do you like most about your job?

  12. A: I like the flexibility and trying to see another person's vision.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: I usually get asked about stems and 16-bit, 44.1khz WAV files are fine. I'll also even try mixing in mp3 stems if you want to get weird.

  15. Q: What's the biggest misconception about what you do?

  16. A: Mixing and Mastering are two separate processes.

  17. Q: What questions do you ask prospective clients?

  18. A: I usually ask clients for five words they would use to describe the set of tracks they want me to work on. I also ask for any reference tracks that could be helpful.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Think of the larger picture!

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: A Shure SM57, an Apogee Duet, a MacBook Pro, Ableton Live, and a mini 25-key midi controller.

  23. Q: What was your career path? How long have you been doing this?

  24. A: My career path before this was computer science. I've been working on other people's music for the last year.

  25. Q: How would you describe your style?

  26. A: My style is customer-focused. I try to deliver the best possible mix for my clients. I'm flexible and easy-going.

  27. Q: Which artist would you like to work with and why?

  28. A: I'd love to work Kendrick Lamar.

  29. Q: Can you share one music production tip?

  30. A: Learn everything you can about a few plugins instead of dipping your hand into as many different plugins as you can. You need to know your tools in and out.

  31. Q: What type of music do you usually work on?

  32. A: I work on electronic music mostly.

  33. Q: What's your strongest skill?

  34. A: My biggest skill is being able to translate an emotion into moments in music.

  35. Q: What do you bring to a song?

  36. A: I bring a creativity that most engineers lack. I'm first and foremost a producer, a sound designer, and a performer. I'll let you know how I feel about anything we work on together. I'll be honest and provide the best ideas I can.

  37. Q: What's your typical work process?

  38. A: I break apart the larger process into smaller, manageable processes. I usually start by importing the tracks into Studio One, organizing them and routing them into different busses and submixes. From here, I work the faders across all the tracks to get a working level first, and then I proceed to EQ across all tracks to help build the mix I hear in my head. A lot of this decision making comes prior to actually mixing, so I come into the session prepared to make everything fit the way I want it to. I make conscious decisions of how and when the different elements of the track work together.

  39. Q: Tell us about your studio setup.

  40. A: I mix everything in the box. I use a small set of studio monitors and a calibrated set of headphones by Sonarworks to mix correctly. In my hands, your mix should play back the way you want it to across many different systems.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: I'm inspired by a lot of producers and electronic artists. An ideal mix sounds like a Jon Hopkins song to me.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: I primarily mix tracks and get them ready for digital release, such as streaming.

Lushloss - Old Oak

I was the Producer, Mixing Engineer in this production

Terms Of Service

Unlimited revisions, 1-2 day turnaround time

GenresSounds Like
  • Baths
  • James Blake
  • Kendrick Lamar
Gear Highlights
  • Calibrated Sonarworks Reference headphones
  • "In the box" mixing and mastering
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More Samples