Based at the prestigious Old Street Studios in Hoxton, London, England as a recording and engineer. I am also recognised as a full member of the Music Producer’s Guild who only allow those with a commercial release credit. MPG is home to a number of highly respected engineers across the globe.
As well as being an full recognised member of the MPG, I am also an alumni of the famous BRIT School of Performing Arts with former students including Amy Winehouse, Adele and many more.
I can offer remote mixing services using a combination of the latest and vintage analogue and digital equipment (for a list of equipment, please check out www.hereisadam.com/audio).
I am experienced with a wide range of mixing projects varying throughout a range of styles and also specialise in dense, complex projects involving large track counts and layered arrangements. No job is too difficult for me! I have worked with everything from stripped back acoustic guitar and vocals through to dense rock music through to orchestral based music.
I am very easy to work with and happy to discuss things via messaging or Skype to deliver a final result you are happy with.
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Adam Warne/Old Street Studios
Q: What other musicians or music production professionals inspire you?
A: Genesis, Phil Collins, Tony Banks, Muse, Matthew Bellamy, Porcupine Tree, Steven Wilson, Dream Theater, Spock's Beard, Neal Morse, Rush, Flying Colors, Mike Portnoy, IQ, Haken, Keane, Kevin Gilbert, Frost*, Transatlantic, Poppy, Titanic Sinclair, Cardiacs, Tim Smith, Simon Godfrey, Marillion, Steve Hogarth, CHVRCHES, Mutemath, Paul Meany, The Dear Hunter, White Lies, Trevor Horn
Q: What's your strongest skill?
A: Tackling complex mixes, whether that be through unique circumstances and instrumental setups or incredibly dense track counts.
Q: What type of music do you usually work on?
A: Rock, Pop, Electronic
Q: Can you share one music production tip?
A: High pass EVERYTHING! And do some surgical EQing on each instrument around the 2k-4k frequency territory and that'll pay off big time and improve the overall sound of the mix.
Q: How would you describe your style?
A: Perfectionist, with a surgical/in-depth approach to mixing. Not afraid to get really stuck in.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't rush. Take your time and find someone who you know you'll work well with.
Q: Analog or digital and why?
A: Both! Because each has their strengths. Simple.