Mastering: genres we love working in are pop, hip-hop, r&b, house, electronica, dance, rock, singer-songwriter. Recording-wise, we provide drum recording as an on-line service.
We agree upon time frame, costs and discuss your sonic ideas. We master your stereo file, or we can do stem mastering. Stem mastering costs more than traditional mastering, though it can be a good solution for complicated mixes. Clients on location in Stockholm are always welcomned to attend at mastering sessions.
We send you a download link with our finished master for you to listen to in your usual listening environment. After approval we provide you with the desired format; WAV-file for streaming, or a DDP image for CD manufacturing.
Would love to hear from you. Click the contact button above to get in touch.
2 ReviewsEndorse Odensound
Robban is a great man to work with. I recorded my second album at Odensound. Everything’s there and you get the help you need. Odensound also lended out the studio pro bono when I needed it for a charity thing. He’s also a very funny guy. Must be said.
Robert Qwarforth and I have collaborated numerous times. I highly recommend his musical qualities and technical skills!
Interview with Odensound
Q: What's the biggest misconception about what you do?
A: That loud is better. Every mix I do is loud. But not squashed and without depth and dynamics. Level is easy, nothing I worry about. I concern about depth, imaging, width and the way the sonics convey the emotional impact of the song.
Q: What advice do you have for a customer looking to hire a provider like you?
A: To be satisfied with what they are giving me. Then I´ll try to take that further. I´m just an enhancer. So being presented to a song that´s 100% finished production-wise is always a great starting point.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Stefan Boman.
Q: Analog or digital and why?
A: Both. It´s just tools.
Q: What questions do you ask prospective clients?
A: What they consider the strength of their song is, and what they wish to see happening to the song in the mix.
Q: What was your career path? How long have you been doing this?
A: I became a professional session musician (keyboards, piano) in 1994, a lot of studio work and touring. Also worked as producer and string-arranger. But I wanted to explore and create my own sound as a self-mixing producer, so I designed and built my own studio i central Stockholm.
Q: Can you share one music production tip?
A: Exclude as many options you can think of, then go for the one that comes the most natural.
Q: What's your typical work process?
A: First, we talk about what sonic finished result the client is looking for. Then I get to work and I´ll send a link with a my mastered version within a couple of days. My chain is both analog and digital and recalls are done on the fly.
Q: Tell us about your studio setup.
A: Pro Tools HD10 native, a Neotek Elite console and a few pieces of precious outboards. But most valuable is the control room, which I love.
Q: What other musicians or music production professionals inspire you?
A: Drake & his team with Noah 40 Shebib & Gadget Campbell, Miles Davis, Frank Sinatra, Coldplay, Chris Athens, Calvin Harris, Madonna, Dr. Dre, Rihanna, Brian Eno, The Beatles & George Martin, Neil Young, Jon Hopkins, Clean Bandit, Post Malone, Martin Garrix, Mixed by Ali, Spike Stent, Chris Gehringer, I could go on forever