Audio engineering is all about capturing, preserving and enhancing the emotional impact embedded in the sounds we hear.
Freelance audio work in Helsinki, Finland and remotely over the internet. I specialize in music recording, mixing and mastering in all genres, with an appreciation for classic tools combined with modern techniques. Also: music production, multitrack/2-track editing, sound design and editing for video (short films, commercials, YouTube, etc.) as well as other media (e.g. spoken word, podcasts).
Contact me through the green button above and let's get to work.
ReviewsEndorse Alec Havinmaa
Interview with Alec Havinmaa
Q: Describe the most common type of work you do for your clients.
A: Remote mixing and mastering jobs, sending files back and forth for feedback.
Q: What other musicians or music production professionals inspire you?
A: Bob Katz, for demystifying the mastering process and fighting the good fight against gratuitous compression; and Chris Lord-Alge, for showing us that gratuitous compression can be fun!
Q: What do you bring to a song?
A: I want to enhance the emotional effect and meaning of the song. Equalizers, compressors, reverbs and stuff are just tools to find that meaning.
Q: What's your strongest skill?
A: Using my ears.
Q: What type of music do you usually work on?
A: Pop, rock, hip-hop, jazz.
Q: Can you share one music production tip?
A: If it ain't broke, don't fix it.
Q: Which artist would you like to work with and why?
A: Andy Partridge, my favorite songwriter of all time.
Q: How would you describe your style?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Audio engineers don't just tweak knobs and fiddle with faders. Even though "tech support" is a big part of the job, we're also there to support your creative process and provide constructive input when needed. We do invest our own time and creative energy to make your music as good as it can be.
Q: What questions do you ask prospective clients?
A: What do you hope I can bring to the project? What do you think it is that I do? What should our work dynamic or relationship be like in terms of artistic responsibility?
Q: What's the biggest misconception about what you do?
A: "You'll Auto-Tune my vocals, right?"
Q: Analog or digital and why?
A: Digital recording for clean and precise audio and efficient workflow, combined with analog gear (usually preamps and compressors in the recording process) for different kinds of "vibe" or classic tones. I'm also a fan of certain analog-modeling plugins.
Q: What do you like most about your job?
A: The feeling I get when a mix really starts to find its shape.