Mixing & Mastering Engineer
ASK MASTERING Mixing & Mastering Engineer · Minsk ------------------------------------------------- I am sure Your music can sound much better than You can imagine! ATTENTION: WORK ONLY WITH THE SERVICES PAYONEER.COM! NOT PAYPAL!
Hi my name is Alexander SKyzZz, I work in this industry for over ten years. During those years I worked a lot on projects, some of them took months, but the result was found in the awards.
For me the most important thing is full contact and trust with the client. I want my clients to get the best result and therefore, I will exert all my strength!
Below You can listen to my examples and my side of the arrangements. Thank you for your Attention!
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
ReviewsEndorse Alexander SKyzZz
Interview with Alexander SKyzZz
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I am proud of all my projects.
Q: What are you working on at the moment?
A: Rock albums.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: A lot of them when I uploaded, I just recommend my colleagues, a lot of them.
Q: Analog or digital and why?
A: Combine, way to achieve the best results!
Q: What's your 'promise' to your clients?
A: Everything that wanted by the client.
Q: What do you like most about your job?
A: Many interesting projects
Q: What questions do customers most commonly ask you? What's your answer?
A: Term and payment. Answer on the merits.
Q: What's the biggest misconception about what you do?
A: To lie to customers.
Q: What questions do you ask prospective clients?
A: When it comes to the arrangements, then of course the order of the instruments in his head.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Always listen carefully to the examples via multiple devices!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Guitar, Drums, Bass-Guitar, Keys and ...Rom!
Q: What was your career path? How long have you been doing this?
A: More than 10 years, many people have answered my questions. I work tirelessly to see the quality was as the most expensive masters.
Q: How would you describe your style?
Q: Which artist would you like to work with and why?
A: Kurt Donald Cobain :)
Q: Can you share one music production tip?
A: Always listen to a complete song using multiple devices to check the sound.
Q: What type of music do you usually work on?
A: EDM, Pop, Rock.
Q: What's your strongest skill?
Q: What do you bring to a song?
A: In the first place depends on the client what he wants. And so, if he says to make my own choice, warmth, clarity, completeness.
Q: What's your typical work process?
A: The acquisition of the project, analysis and sorting, conversation with the client. Creating notes client and wishes. Work.
Q: Tell us about your studio setup.
A: Unconditional prepared a special room. Monitoring: EVE 407 and EVE 3010. DAW: Logic Pro X. UAD DSP. And more...more..more.
Q: What other musicians or music production professionals inspire you?
A: Dave Pensado, Bob Horn, Chris Lord Alge, Tony Maserati, Kuk Harrell, Herb Trawick
Q: Describe the most common type of work you do for your clients.
A: Mixing: In sound recording and reproduction, audio mixing or mixdown is the process by which multiple recorded sounds are combined into one or more channels, for instance 2-channel stereo. In the process, the source signals' level, frequency content, dynamics, and panoramic position are manipulated and effects such as reverb may be added. This practical, aesthetic, or otherwise creative treatment is done in order to produce a mix that is more appealing to listeners. Mastering: Mastering requires critical listening; however, software tools exist to facilitate the process. Mastering is a crucial gateway between production and consumption and, as such, it involves technical knowledge as well as specific aesthetics. Results still depend upon the accuracy of speaker monitors and the listening environment. Mastering engineers may also need to apply corrective equalization and dynamic compression in order to optimise sound translation on all playback systems. It is standard practice to make a copy of a master recording, known as a safety copy, in case the master is lost, damaged or stolen.