Orchestral score for visual media.
Orchestral composition, sci-fi, fantasy & romance. Recording, mixing and mastering.
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Interview with Benjamin Gibbs
Q: What do you like most about your job?
A: There's a moment during every composition where you finally hear it all coming together. I truly love that moment.
Q: What questions do customers most commonly ask you? What's your answer?
A: Q. Can you do this for free? A. No!
Q: What's the biggest misconception about what you do?
A: Producing orchestral music is a laborious process. It takes time, energy, and good will to produce quality work.
Q: What questions do you ask prospective clients?
A: How do you want the music to feel?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Setting a fixed budget and a deadline upfront is often unreasonable and sometimes doesn't reflect the time and requirements of the workload.
Q: Can you share one music production tip?
A: It's harder than it looks. Time = Quality.
Q: Describe the most common type of work you do for your clients.
A: My clients are usually filmmakers who understand the importance and value of an orchestral score. Usually they know exactly what they want but often have difficulty articulating what that is. Generally, it's as simple as chord progressions and instrument combinations so an example piece of music usually helps.