Mastering, Mixing

Q: Analog or digital and why?

A: Digital due to recall and speed of work, which is crucial nowadays. I love adding analog gear to the process though.

Q: What's your 'promise' to your clients?

A: I will always do my best

Q: What do you like most about your job?

A: I am satisfied when I feel something sounds good.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My D&D, Rme soundcard and Computer with plugins and software

Q: What was your career path? How long have you been doing this?

A: I am doing it for more than 10 years, worked in almost all areas of audio engineering (live sound, broadcast, studio recording, post production, mix, mastering)

Q: What's your typical work process?

A: I get informations and wishes/directions from client, do my job as I think it should be and than cooperate with client on revisions to make final product. All revisions are remote, client can listen to product and send comments or participate in real time on video call and listening to stream of uncompressed output from my DAW.

Q: Tell us about your studio setup.

A: Acoustically treated room with D&D 8C main speaker setup, NS10 nearfields and Avantone mixcubes. Workstation is Pro Tools and Wavelab with all major plugins and some high end analog gear implemented to hybrid mixing/mastering when needed.

Q: What other musicians or music production professionals inspire you?

A: Michael Brauer, Al Schmitt, CLA

Q: Describe the most common type of work you do for your clients.

A: Mastering, mixing, audio restoration, music post production