Remote Mixing and Mastering

Q: Analog or digital and why?

A: Analog for grittyness, digital for recall

Q: How would you describe your style?

A: simple and efficient

Q: What type of music do you usually work on?

A: Most frequently urban music, but I also work on world music (north african and south american), classical, rock, EDM, and even jazz...

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Is there electricity? my macbook, a good all-purpose mic like a Neumann U87, a Telefunken V620a, my NS10s and a coffee machine

Q: What's your typical work process?

A: Mixwise: I work on the song until I am satisfied of the general sound. I then send the mix to the client for listening. We discuss together of the direction I took and what the client likes or not. I also get a list of details to tweak. I do a second version and send it for approval. Repeat if necessary. Usually there is no need for more than 1 or 2 revisions.

Q: Tell us about your studio setup.

A: It is an hybrid setup. I work with REAPER, listening thru Genelecs 1038s and Yamaha NS10s. Concerning analog equipments: nice vintage telefunken preamps, Tubetech CL1A compressor, Neumann and Trident equalizers, just to name a few.

Q: What other musicians or music production professionals inspire you?

A: I grew up listening to Queen. But now I can get inspiration from a wide panel of artists and genres, provided that the music is good!

Q: Describe the most common type of work you do for your clients.

A: I mainly record and mix independent artists, that I sometimes mix on tour, too. I also do some mastering work: I provide affordable analog mastering for independent musicians.