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1 Reviews - 1 Repeat Client

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  1. Review by Claudio T.
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    A true professional. Really made my song shine, went the extra mile providing additional vocal edits and tuning, gladly did revisions until I was totally happy, while being professional and comunicative throughout the whole process.
    Recommended without reservations!

Interview with .......................................................

  1. Q: What are you working on at the moment?

  2. A: Rock record and a Greatest Hits record from a TBA artist.

  3. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  4. A: 1) Slate VMR 2) Soundtoys Decapitator 3) Soundtoys Echoboy 4) Valhalla verb 5) DMG Limitless

  5. Q: What's your typical work process?

  6. A: I am usually at the studio by 8:30 in the morning. I'll pull up the song for that day and give it a listen with my Americano from the local coffeeshop. I usually listen to the song several times before i dive in. Once I have a plan, I take care of house keeping things within the session and then give my best shot!

  7. Q: Tell us about your studio setup.

  8. A: My setup consists of ATC 150s with a couple of Genelec subs. The console is an Amek Rembrandt, although I typically stay in the box most of the time. I am using Pro Tools HD3 as well with Dangerous D/A.

  9. Q: Analog or digital and why?

  10. A: Digital…I'm in and out of so many sessions that analog would be too much of a pain to deal with for me personally.

  11. Q: What do you like most about your job?

  12. A: each day brings something new

  13. Q: What was your career path? How long have you been doing this?

  14. A: 7 years

  15. Q: What type of music do you usually work on?

  16. A: pop, country, pop-rock, singer-songwriter

  17. Q: Describe the most common type of work you do for your clients.

  18. A: Most of my work is mixing. Usually, I add my mastering chain on to the mix and if the client digs it, then i'm the mastering engineer too :) I also master projects that i did not mix.

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