Dan Eisenbach

Mixing & Mastering Engineer

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1 Review
Dan Eisenbach on SoundBetter

Industry standard quality. Music, podcasts, television, commercials, voiceovers, and sound design. I do it all.

My name is Dan and I've been an Audio Engineer for about 12 years. I started Engineering when I was 11 because I wanted to make music with my friends but didn't have access to a studio. I started in Audacity and worked my way into Pro Tools, getting my first job at a Recording Studio when I was 16. Since then I've been blessed to work with so many talented artists and engineer records that went 4x Platinum, 1x Platinum, and 1x Gold. I'm excited to see what you want me to bring to your work and look forward to working with you!
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Please remember that the quality of the mix is completely dependent on the quality of the recording. The better the recording, the better the final product
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Some of my hardware
Focal Twin6 Be
Yamaha HS5
Digidesign Command 24
3x API 8-slot lunchbox w/ Neve, API, SSL, dbx, Lindell, and other 500 series modules
Lynx Aurora interface
UA 1176
Distressor
EQP-2A
Custom summing mixer
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Some of my work: https://spoti.fi/3oKmD0p
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Credits
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Lil Baby
blackbear
DustyStayTrue
Killbunk
7even7ins
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Please reach out if you have any questions!

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

1 Reviews

Endorse Dan Eisenbach
  1. Review by andrewcaruso_
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    Dan is super easy to work with and very knowledgable of what he's doing. He was more than helpful through the process, and kept solid communication about his plans with the track.I had a track that seemed a little thin, and his master brought everything to life!

Interview with Dan Eisenbach

  1. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  2. A: If you need any writing services or reference performances or anything if that nature, check out Danny Aro. He’s a long time client of mine and will not disappoint.

  3. Q: Analog or digital and why?

  4. A: A healthy mix of both. Nothing replaces the sound of analog harmonics, but the speediness and versatility of digital gear is unmatched.

  5. Q: What advice do you have for a customer looking to hire a provider like you?

  6. A: Always make sure you have the proper headroom in your tracks. -3 to -6db of mix headroom is perfect, and make sure no audio files are clipping within the session. The final mix or master will only be as good as the quality of the recordings.

  7. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  8. A: Laptop, Apollo Twin, U47, PRS Silver Sky Guitar, and an MPC.

  9. Q: What was your career path? How long have you been doing this?

  10. A: I’ve wanted to engineer since I was 11. I’ve been doing this for 11 years.

  11. Q: How would you describe your style?

  12. A: I love very wide and immersive mixing. Big midrange and fullness is my style.

  13. Q: Can you share one music production tip?

  14. A: Always leave headroom. You can make things louder, but you can’t undo clipping.

  15. Q: What type of music do you usually work on?

  16. A: Hip hop, trap soul, and pop.

  17. Q: What's your strongest skill?

  18. A: Bringing out the dynamics and emotion in a track.

  19. Q: What do you bring to a song?

  20. A: I bring creativity, a vibe. I love the songs I engineer to big and full, full of dynamics with rich bass and kicks that smack your chest, and silky smooth, polished high end. Whether it’s a simple old school boom-bap hip hop song or or the deep rumbling 7 string guitar in a heavy metal track, I bring out the sparkle in the music I work with.

  21. Q: What's your typical work process?

  22. A: I like to start by setting the tempo and key. Then I gain stage, leveling everything and automating some gain to get levels where I want them. Then I start to clean up tracks like removing clicks and adding gates to remove background noise. After that I start to mix down the project. Once I’m done mixing I will give the track the “car test.” If I feel I need to, I may let the track rest for a day and come back the next with fresh ears and polish it up before I master it (if I’m mastering the track.)

  23. Q: What other musicians or music production professionals inspire you?

  24. A: I’ve always looked up to the work of Manny Marroquin. I love his mixing and his style, every song he’s touched is so full and punchy, one of the greatest mixing engineers on the planet.

  25. Q: Describe the most common type of work you do for your clients.

  26. A: I mainly do mixing and mastering for my clients. I do primarily music, but also work on podcasts, short film post production, TV post production, commercials, audio books, and spoken dialogue.

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Danny Aro - Temptations

I was the recording, mixing, & mastering engineer in this production

Terms Of Service

Unlimited revisions allowed, turn around time of ~1 - 3 days. Tracks subject to my approval. Please note that the final sound quality will be directly determined by the recording quality.

GenresSounds Like
  • Lil Baby
  • The Kid LAROI
  • Ariana Grande
Gear Highlights
  • Pro Tools 2020
  • JBL Monitors
  • AKG K701 Headphones
  • Empirical Labs Distressor
  • SSL Summing Mixer
  • Waves V12
  • Antares Auto-Tune Pro
  • Fabfilter
  • Sonicworks
  • Soundtoys
  • Slate Digital
  • Melodyne
  • Vocalign
More Photos
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