Mastering Mansion/Nick Litwin

Mastering Studio

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26 Reviews
Mastering Mansion/Nick Litwin on SoundBetter

Mastering Mansion is the biggest and most perfect Mastering Room in Europe and the only one in the world built entirely from scratch. Nick Litwin has 27 years of experience mastering in the UK, Spain and Argentina. Nick have mastered close to 4000 albums, EPs, singles, vinyl recordings, MFiT, remasters. He has very happy clients all over the world.

World-Class Audio Mastering for every budget.

In order to avoid any acoustic compromise, we entrusted the design of the ideal room - with zero building restrictions - to one of the best Acoustic Engineers in the globe (Markus Bertram from MB Akustik/Germany) and afterwards we invested in a piece of land that allowed us to build that design with precision. The result: a room with a volume of 220m3 and an area of 52m2, that thanks to its ideal design, unique geometry, big size and customised materials, guarantees a near-perfect behaviour, with a transparency, linearity and spaciality impossible to get at studios made within previously constructed premises, with all its acoustic limitations.

The main goal at Mastering Mansion is to always obtain the maximum possible musicality, expresivity, strenght, dynamics and competitivity on our customer’s music.

We are not a factory of same-pattern-cut masters: we do not classify your music into standard categories.
We believe that every record has its own character and that no song is equal to any other.
What´s best is that you can tell us which is the exact vision through which you conceived each of your songs, and most important, if when you get your master there is anything that you don´t quite like, we will change that without extra charges.
We are here to help you achieve YOUR vision and give your music the best sound.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

26 Reviews

Endorse Mastering Mansion/Nick Litwin
  1. Review by Neal Romano
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    by Neal Romano

    I simply couldn´t ask for more..Nick´s work is simply Top of Top.
    I highly recommend it and once you try it you will definately notice the difference..That´s how good it is..
    Thanks Nick !

  2. Review by Bernat Villà
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    by Bernat Villà

    We had several problems including bad timing and even mixes form different engineers, but he managed to get a very uniform tone all over the album. His job was absolutely brilliant both in the musical field and the professional field, respecting all our conditions and deadlines. Thank you Nick for what I consider an art piece!

  3. Review by Bruno Oro
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    by Bruno Oro

    Great mastering. Nick perfectly understood the dynamic and the tone of my song. Very fine and professional work. I will certainly repeat.

  4. Review by Santiago Cabriles
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    by Santiago Cabriles

    He trabajo con una gran cantidad de ingenieros de Mastering, todos excelentes en lo que hacen pero la presición de Nick es increíble, le saca la máxima sonoridad a tu mezcla y mantiene la dinámica que tanto se ha perdido en estos tiempos con la guerra del "quién suena más duro"... Un honor trabajar contigo, excelente persona.

  5. Review by Resta Herrero (M A L D I T O S)
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    by Resta Herrero (M A L D I T O S)

    Trabajar con Nick ha sido una gran experiencia. La asesoría para corregir pequeños detalles en la mezcla y trabajar con dos Stems ha sido crucial para alcanzar el sonido que estábamos buscando. Además la limpieza que ha aportado al sonido de nuestro album ha sido extraordinaria. Estamos muy contentos con el resultado y con la comunicación con Nick!

  6. Review by Andy Covarrubias
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    by Andy Covarrubias

    Vaya del 100% es la primera vez que trabajamos con Nick y nos encanto JUNIOR KLAN de Veracruz Mexico... Recomendadicimo!!! Saludos!

  7. Review by Miguel Zamarripa
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    by Miguel Zamarripa

    Soy productor artístico afincado en Barcelona. He trabajado con Nick y Mastering Mansion y cada vez que envío un trabajo quedo 100% satisfecho con una calidad brutal, Nick nos lee la mente y logra entender muy bien cada estilo de música y cómo tiene que sonar, para complementar en el master todo nuestro trabajo en producción. Recomendado 200%!

  8. Review by Carlos Montfort
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    by Carlos Montfort

    Desde el primer trabajo que hice con Nick me dí cuenta de su calidad, profesionalidad y buena onda!
    Se implíca en el proyecto para encontrar el sonido que buscas!
    Garantía!

  9. Review by Guille
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    by Guille

    Gracias enormes Nick!

    Excelente servicio, muy accesible para entenderse con el cliente y satisfacer sus expectativas!
    Sonido de gran calidad, muy natural, gente con buen criterio.
    Realmente un mastering increíble a un precio accesible a todos!!
    SUPER-Recomendado!!

  10. Review by Nacho - Nicotine Swing
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    by Nacho - Nicotine Swing

    ¡Absolutamente encantados con el trabajo de Nick! Y es que entiende lo que quieres porque escucha la música y te escucha a ti como cliente. Súmale el conocimiento y esa "mansión" que realmente es Mastering Mansion y listo.
    Y en cuanto al trato, después de pasar una tarde trabajando con él, lo invitarías al siguiente asado / chuletada que hagas:)

  11. Review by juan
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    by juan

    Excelente trabajo y excelente profesional, muy recomendado

  12. Review by Alan Rippari
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    by Alan Rippari

    Muy agradecido con Nick! Excelente todo, desde el trabajo técnico a la atención cálida y humana, logro darle el punch la profundidad y el sonido que buscaba.
    Garantía asegurada, seguiré haciendo los masters de mis proyectos con él.
    muy recomendable!!

  13. Review by Cesar Martins
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    by Cesar Martins

    Seriedad,confianza,satisfacción.
    Tres de las palabras que llegan en mi pensamiento cuando ablo de Nick.
    Muy amable y cierto en sus consejos cuando necesitamos de una opinion acerca de un equipo de sonido,un ajuste en todo lo que tenga que ver con el mundo del audio.
    Siempre disponible para cuando uno lo necesita.Formidable su trabajo!

  14. Review by Nito Carval
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    by Nito Carval

    Nick Litwin definitivamente sabe lo que hace y lo hace de la mejor manera. Su atención es increíblemente buena y ni hablar de los resultados. Muy recomendable como profesional, seguiré masterizando mis sencillos y mi álbum con él en Mastering Mansion, pues logra el sonido que se necesita y el que imaginaste como artista.

  15. Review by Dani (Bye Bye Lullaby)
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    by Dani (Bye Bye Lullaby)

    Nick ya nos ha masterizado dos discos y supera con creces cualquier expectativa. A parte de ser un auténtico profesional y muy fino trabajando, es un persona encantadora y con un oído y sensibilidad musical especiales. Trabajar con Nick te da la tranquilidad de saber que después de pasar por su estudio, tendrás ese punto de calidad que buscabas.

  16. Review by Mr.Kilombo
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    by Mr.Kilombo

    Siempre pido pruebas de master a diferentes ingenieros y acabo quedandome con la versión de Nick. Recomendable 100%.

    I allways ask diferent engineers for a master test, and I allways end up picking Nick´s versions. 100% recomendable.

  17. Review by Alonso Alia
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    by Alonso Alia

    Solo puedo decir que para mí,siempre será el mejor ingeniero de Mastering y que no dudaré nunca en trabajar con él..... trato muy profesional,cercano y sobre todo aconseja,para mí es muy importante que las dos partes sean parte del proyecto que se masteriza,solo puedo agradecer su trato y por supuesto su profesionalidad ....muy recomendable

  18. Review by Luis Antonio Hernandez
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    by Luis Antonio Hernandez

    Nick has become my go-to mastering engineer. After having many of my mixes mastered by some of the biggest names in the mastering world, I can say Nick doesn't only keep up with them, he is better. Simple as that.

    Do yourself, and your tracks, a favor and have nick master your songs. You won't regret it!

  19. Review by Neal Romano
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    by Neal Romano

    Outstanding Quality and Profesionalism !! .What every Artist & Musician Dreams Of..
    Rips the scale and brings your music to the next level..The perfect partner to work with.
    It´s absolutely a "Privilege" to have Nick take care of your music.Thanks Nick !

  20. Review by Laura
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    by Laura

    Gran profesional, he tenido el placer de trabajar dos veces con Nick y solo tengo cosas positivas que decir al respecto, gran calidad, trato único y personal, cercano con sus clientes, siempre consigue sacar mejores resultados de lo esperado, además de contar con un equipo de masterización profesional y su oído experto. Totalmente recomendable!

Interview with Mastering Mansion/Nick Litwin

  1. Q: What's the biggest misconception about what you do?

  2. A: That we are capable of miracles, hehehe. As I always say: "We are Magicians... we can hide a lot of things out of sight (ears), but we are not God". As I said before, some things can not be done at the Mastering stage.

  3. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  4. A: Difficult one... 1) Cranesong HEDD Quantum (one of the best converters ever, does both In/Out conversion plus outstanding Tape and Tube like emulations). 2) My moded Buzzaudio REQ2.2 ME. Possibly the best EQ I listened to - love inductors when they are well implemented! - and I have listened and worked with all the usual suspects, including Sontec, GML, Maselec, Millennia, Avalon and many of the newer ones. 3) Shadow Hills Mastering Compressor is really a great one, just because it is in fact 2 great compressors in 1 =)

  5. Q: What was your career path? How long have you been doing this?

  6. A: I started at the age of 13, as a sound assistant to a covers band, so I have been doing sound actively and non-stop for 35 years!!!! But I started Mastering when I was 20, when Mastering was made only by a bunch of crazy freaks like me. That's almost 28 years ago =) At that time, I was already Producing, Recording and Mixing (mostly in analog!) and came across this weird "art and craft" that was Mastering... and fell in love. From there, it was a fast road, passing through a Bachelor of Arts in Recording Arts in London up to the year 2003, when I was getting so many Mastering gigs, that I decided to concentrate on that and left everything else - including my teaching lessons at SAE College, where I have entered a couple years before and had to teach almost anything and everything related to Audio and Music Production =) So it's been already 20 years Mastering EXCLUSIVELY!

  7. Q: How would you describe your style?

  8. A: Communicative. Open minded. Always listening to the MUSIC first and foremost. Songs tells you what they need... And then taking the music where the client expects it to go. Specially with younger and/or more unexperienced clients - if they allow or are asking for it - I try to educate them on all sorts of audio-related issues and skills. I do not have secrets. Everything I do, I do it in the open and I explain the client what I am doing, how and why. The idea is that coming to Mastering with us, they also improve their Music Production skills - particularly Recording and Mixing -, so we can get a better sounding production in the end =)

  9. Q: Which artist would you like to work with and why?

  10. A: Sooooo many! Music is my life and there's so many artists that made me who I am.

  11. Q: Can you share one music production tip?

  12. A: Many! I am happy to say that I have a Bachelor's Degree in Music Production and I did that before Mastering. 1) Don't let things to be solved in Mastering! Whatever you feel you can improve on Recording and Mixing: do it! 2) Try not to "mix" jobs. Mixing is a completely different animal than Mastering, needing different approaches, skills, times and ears. Preferrably, don't let the same Studio and Engineer do both. You want a specialist on every step of the way. 3) Complementing what I just said in 2: you NEED fresh ears and perspective. A good Mastering Engineer should offer you that and help you succeed. And of course, years of experience Mastering. 4) Don't process (or overprocess) the mixbuss, unless you are not hiring a Mastering Studio. 99% of the times, when we receive "pre-mastered" mixes, some or a lot of the qualities of the mix had gone under the heavy processing. We've got not only the fresh ears and experience, but also the most amazing array of top-notch gear to make exactly what your music is craving for, so we recommend you to let those final decisions and touches to the Mastering stage, where you could decide with us - together - what is best for a particular song.

  13. Q: What's your strongest skill?

  14. A: Communication! I always state Communication is the most important skill on most everything one does for another person. For me, both listening to the client and then transmitting to him/her what we listen/need/feel is fundamental. It builds the strongest base for a fantastic job and job relationship.

  15. Q: Tell us about your studio setup.

  16. A: It is an extremely high quality setup, with a lot of options to do every single tasks with very different carachteristics, so we always have the right tool available for any type of processing needed on every kind of song and genre. 5 different analogue mastering EQs (2 of them modified to meet our specs) and the best digital EQ for extreme precision (Weiss EQ1-DYN/LP). 5 different analogue comp/limiters and the best digital dynamic processor (Weiss DS1-MK3) also for extreme precision when needed. The best tape machine simulation, the analogue AnaMod ATS-1 offering us the chance to add that extra touch of depth and warmth so needed on many productions. Kind of the same but in completely different flavours are our Whitestone P331 tube loading amplifier and Blackbox HG-2 tube harmonic generator. Recently we added SN001 of both Kahayan Solid 4000 and Vintage 80 Series Mixbuss Processors (Mastering Versions) which are two units that were designed after our recommendation to Kahayan that there was no unit designed exclusively for Mastering offering the exact same feel of the beloved Neve 80 Series and Solid State Logic 4000G+ consoles. Those are exactly that - one console sound each -, and are a pleasure to use. And on the digital chain, everything is clocked by the most accurate master clock in the Music Industry, the Antelope Atomic clock, 100.000 times more accurate than a regular crystal clock. All our work is mastered at 96k even if the original file is lower. We upsample using the fantastic Weiss SFC-2 and then use any digital process (if needed) and convert using the state of the art Lavry Gold DA-N5 Quintessence and Lavry Gold AD-122 MX converters at maximum bandwidth, letting all those digital processings occur at maximum quality, with the added depth and precision. Sometimes we prefer to switch to our beloved Crane Sond HEDD Quantum ADDA. On some songs, they are even more suitable than the Lavry! Which is big words =) EVERY single piece of gear we have is setup in a way that we can use it in normal L-R, stereo, but also in Middle and Side (M&S) mode and parallel mode, allowing us maximum flexibility to be able to do exactly what we feel it's needed, every single time =) Of course, our biggest jewell in the setup, is the near-to-perfection monitoring system, starting with the biggest mastering room in Europe (440m3 of area), built entirely from zero - we built the whole building with the geometry of the design! - and perfectly matched by our linear, high headroom, wide bandwidth monitor setup comprised by Lipinski Grands passive speakers, feed by Lipinski L-401 Monoblock amps and 2 JL Audio Fathom F112 v2 outstanding subwoofers (now set on stands at ear-level!), all crossed overed by the custom built MBakustik Cosinus Active Crossover and analogue filter. The room's response at our listening position is a staggering +- 0.5db between 25 Hz and 16 kHz, with +- 1db points in 170 Hz, 2.3 kHz and also 9.1 kHz.... more linear than anything we had heard of, allowing us very subtle modifications that make your sound go from good to outstanding =)

  17. Q: Describe the most common type of work you do for your clients.

  18. A: We normally do audiophile quality Streaming, Vinyl, CD, DVD, MFiT and Radio Mastering, including: .Equalization (using M&S techniques, Dynamic Equalization and per Channel Equalization). .Dynamic Manipulation (including Expansion, Compression, Limiting, Leveling and De-Essing). .Micro and Macro Dynamic Optimization (using Expansion-Compression techniques, separated band work and Edition). .Stereo Image improvements (using M&S and Depth manipulation techniques). .Artistic Edition (including fade ins/outs, crossfades, spacing between songs, dynamic manipulation, radio edits, parts replacements, etc.). .Noise reduction, Cleaning and File restoration. .Mixing Consultancy Service (together with the Mixing Engineer, before Mastering stage). .Stems Mastering (Stems-Multilayer) .Mastering for Vinyl Cut. .Mastering dedicated to Radio and TV. .Mastering for Internet Delivery and Streaming. .DDP Masters (including PQ Codes, ISRC, UPC codes, CD Text and Log written with instructions for Replication Plant). We also offer ND® Mastering (Natural Dynamics) and Turn Me Up Mastering for prime clients asking for extended dyanmic content.

  19. Q: Analog or digital and why?

  20. A: For most things, ANALOG! Yes, there are a few selected digital processors that MUST be part of every pro Mastering studio and that I love and use... but sound wise, most everything is made using the finest Analog selected pieces - most of them custom modified for us =)

  21. Q: What are you working on at the moment?

  22. A: I'm usually working at 3 or 4 different projects at a time, as mastering is not a long process (I'm a lucky guy =) In the last few weeks I have done projects or songs for Rubén Blades, Alejandro Sanz, Jorge Salán, Vetusta Morla, Antonio Carmona and Pepe Habichuela, among others.

  23. Q: What type of music do you usually work on?

  24. A: I work with ALL types of music. It is my view that a great mastering engineer MUST know about music in general and feel confortable working with all genres. This said, most of our clients revolve around popular genres, like Rock, Pop, Electronic, Hip Hop, Trap, Reggaeton, Latin folklore in general, Reggae, Funk, R&B and Soul with just a few selected Jazz, Classical, Flamenco and Soundtrack clients.

  25. Q: What do you bring to a song?

  26. A: Whatever that particular song transmits to me. I never put bricks on a wall. I LISTEN to your music with fresh ears and an open mind, and try to travel whatever the song takes me . That way I can deeply feel what the song tries to tell me and only after I have a clear view of what the song expresses - to me, at least -, I start processing to help the song emphasise the kind of sounds and colours that will make every listener feel what the artist is trying to say in the easiest, clearest and more natural way.

  27. Q: What other musicians or music production professionals inspire you?

  28. A: I will not talk about musicians, as there are soooo many who inspire me in my life and also in my work. I would only talk about a few professionals that I feel grateful for their friendship and their extensive knowledge, specially Bob Katz and Andreas Balaskas (Germany), but I also have to emphasise Bob Ludwig's work as a source of inspiration for certain aspects of the mastering process.

Terms Of Service

.Mixing Consultancy included
.One revision included (typically, that's enough)
.1 to 2 (working) days turn around
.2 stems mastering for the same price as L-R
.Stems mastering offered

Gear Highlights
  • Lipinski Grand/JL Audio 2.2 system
  • Buzzaudio REQ2.2 ME (moded)
  • Manley Massive ME (moded)
  • Dangerous Bax EQ
  • Shadow Hills Mastering
  • Lavry GOLD AD + DA
  • Antelope Atomic Clock
  • Weiss EQ1+DS1
  • Cranesong HEDD Q
  • AnaMod ATS-1
  • Whitestone P331
More Photos
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